Banned Books Week: A Letter to Employees, from PRH CEO Nihar Malaviya

The following message was sent by PRH CEO Nihar Malaviya to all employees on the second day of Banned Books Week 2024:   September 23, 2024 Hi everyone, Welcome to Banned Books Week! At a time when the freedom to read is under attack, it is more important than ever to celebrate the books that

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FROM THE PAGE: An excerpt from Daisy Hernández’s A Cup of Water Under My Bed

PEN Literary Award–winning author Daisy Hernández “writes with honesty, intelligence, tenderness, and love” about her Colombian-Cuban heritage and queer identity in this poignant coming-of-age memoir (Sandra Cisneros, author of The House on Mango Street). A heartfelt exploration of family, identity, and language, A Cup of Water Under My Bed is ultimately a daughter’s story of finding herself and

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unCommon Authors, an Author Video Series: AND SO I ROAR by Abi Daré

                                                                        PRH Education/Common Reads presents: unCommon Authors unCommon Authors is a monthly video series highlighting exceptional and unique authors talking

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2025 Catalog for First-Year & Common Reading

We are delighted to present our new First-Year & Common Reading Catalog for 2025! From award-winning fiction, poetry, memoir, and biography to new books about science, technology, history, student success, the environment, public health, and current events, the titles presented in our common reading catalog will have students not only eagerly flipping through the pages,

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FROM THE PAGE: An excerpt from Banning Lyon’s The Chair and the Valley

Banning Lyon was an average 15-year-old, living in Dallas, TX. He enjoyed skateboarding, listening to punk rock, and even had a part-time job. But in January 1987 his life quickly changed after a school guidance counselor falsely believed he was suicidal after giving away his skateboard. Days later he was admitted to a psychiatric hospital,

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FROM THE PAGE: An excerpt from Prachi Gupta’s They Called Us Exceptional

How do we understand ourselves when the story about who we are supposed to be is stronger than our sense of self? What do we stand to gain—and lose—by taking control of our narrative? Family defined the cultural identity of Prachi and her brother, Yush, connecting them to a larger Indian American community amid white

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