NEW YORK TIMES BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • ONE OF THE NEW YORK TIMES’S FIVE BEST BOOKS OF THE 21ST CENTURY
 
“A brilliant and stirring epic . . . Ms. Wilkerson does for the Great Migration what John Steinbeck did for the Okies in his fiction masterpiece, The Grapes of Wrath; she humanizes history, giving it emotional and psychological depth.”—John Stauffer, The Wall Street Journal

“What she’s done with these oral histories is stow memory in amber.”—Lynell George, Los Angeles Times
 
WINNER: The Mark Lynton History Prize • The Anisfield-Wolf Award for Nonfiction • The Chicago Tribune Heartland Prize • The Hurston-Wright Award for Nonfiction • The Hillman Prize for Book Journalism • NAACP Image Award for Best Literary Debut • Stephen Ambrose Oral History Prize
 
FINALIST: The PEN/John Kenneth Galbraith Award for Nonfiction • Dayton Literary Peace Prize
 
ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times USA Today Publishers Weekly O: The Oprah Magazine Salon Newsday The Daily Beast
 
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker The Washington Post The Economist Boston Globe San Francisco Chronicle Chicago Tribune Entertainment Weekly Philadelphia Inquirer The Guardian The Seattle Times St. Louis Post-Dispatch The Christian Science Monitor
 
In this beautifully written masterwork, Pulitzer Prize–winning author Isabel Wilkerson presents a definitive and dramatic account of one of the great untold stories of American history: the Great Migration of six million Black citizens who fled the South for the North and West in search of a better life, from World War I to 1970.
 
Wilkerson tells this interwoven story through the lives of three unforgettable protagonists: Ida Mae Gladney, a sharecropper’s wife, who in 1937 fled Mississippi for Chicago; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, and Robert Foster, a surgeon who left Louisiana in 1953 in hopes of making it in California.
 
Wilkerson brilliantly captures their first treacherous cross-country journeys by car and train and their new lives in colonies in the New World. The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is a modern classic.
In the Land of the Forefathers

Our mattresses were made

of corn shucks

and soft gray Spanish moss

that hung from the trees. . . .

From the swamps

we got soup turtles

and baby alligators

and from the woods

we got raccoon,

rabbit and possum.

—Mahalia Jackson, Movin’ On Up



Leaving

This land is first and foremost

his handiwork.

It was he who brought order

out of primeval wilderness . . .

Wherever one looks in this land,

whatever one sees that is the work of man,

was erected by the toiling

straining bodies of blacks.

—David L. Cohn, God Shakes Creation

They fly from the land that bore them.

—W. H. Stillwell

1

Chickasaw County, Mississippi, Late October 1937

ida mae brandon gladney

the night clouds were closing in on the salt licks east of the oxbow lakes along the folds in the earth beyond the Yalobusha River. The cotton was at last cleared from the field. Ida Mae tried now to get the children ready and to gather the clothes and quilts and somehow keep her mind off the churning within her. She had sold off the turkeys and doled out in secret the old stools, the wash pots, the tin tub, the bed pallets. Her husband was settling with Mr. Edd over the worth of a year’s labor, and she did not know what would come of it. None of them had been on a train before—not unless you counted the clattering local from Bacon Switch to Okolona, where, “by the time you sit down, you there,” as Ida Mae put it. None of them had been out of Mississippi. Or Chickasaw County, for that matter.

There was no explaining to little James and Velma the stuffed bags and chaos and all that was at stake or why they had to put on their shoes and not cry and bring undue attention from anyone who might happen to see them leaving. Things had to look normal, like any other time they might ride into town, which was rare enough to begin with.

Velma was six. She sat with her ankles crossed and three braids in her hair and did what she was told. James was too little to understand. He was three. He was upset at the commotion. Hold still now, James. Lemme put your shoes on, Ida Mae told him. James wriggled and kicked. He did not like shoes. He ran free in the field. What were these things? He did not like them on his feet. So Ida Mae let him go barefoot.

Miss Theenie stood watching. One by one, her children had left her and gone up north. Sam and Cleve to Ohio. Josie to Syracuse. Irene to Milwaukee. Now the man Miss Theenie had tried to keep Ida Mae from marrying in the first place was taking her away, too. Miss Theenie had no choice but to accept it and let Ida Mae and the grandchildren go for good. Miss Theenie drew them close to her, as she always did whenever anyone was leaving. She had them bow their heads. She whispered a prayer that her daughter and her daughter’s family be protected on the long journey ahead in the Jim Crow car.

“May the Lord be the first in the car,” she prayed, “and the last out.”

When the time had come, Ida Mae and little James and Velma and all that they could carry were loaded into a brother-in-law’s truck, and the three of them went to meet Ida Mae’s husband at the train depot in Okolona for the night ride out of the bottomland.

2

Wildwood, Florida, April 14, 1945

george swanson starling

a man named roscoe colton gave Lil George Starling a ride in his pickup truck to the train station in Wildwood through the fruit-bearing scrubland of central Florida. And Schoolboy, as the toothless orange pickers mockingly called him, boarded the Silver Meteor pointing north.

A railing divided the stairs onto the train, one side of the railing for white passengers, the other for colored, so the soles of their shoes would not touch the same stair. He boarded on the colored side of the railing, a final reminder from the place of his birth of the absurdity of the world he was leaving.

He was getting out alive. So he didn’t let it bother him. “I got on the car where they told me to get on,” he said years later.

He hadn’t had time to bid farewell to everyone he wanted to. He stopped to say good-bye to Rachel Jackson, who owned a little café up on what they called the Avenue and the few others he could safely get to in the little time he had. He figured everybody in Egypt town, the colored section of Eustis, probably knew he was leaving before he had climbed onto the train, small as the town was and as much as people talked.

It was a clear afternoon in the middle of April. He folded his tall frame into the hard surface of the seat, his knees knocking against the seat back in front of him. He was packed into the Jim Crow car, where the railroad stored the luggage, when the train pulled away at last. He was on the run, and he wouldn’t rest easy until he was out of range of Lake County, beyond the reach of the grove owners whose invisible laws he had broken.

The train rumbled past the forest of citrus trees that he had climbed since he was a boy and that he had tried to wrestle some dignity out of and, for a time, had. They could have their trees. He wasn’t going to lose his life over them. He had come close enough as it was.

He had lived up to his family’s accidental surname. Starling. Distant cousin to the mockingbird. He had spoken up about what he had seen in the world he was born into, like the starling that sang Mozart’s own music back to him or the starling out of Shakespeare that tormented the king by speaking the name of Mortimer. Only, George was paying the price for tormenting the ruling class that owned the citrus groves. There was no place in the Jim Crow South for a colored starling like him.

He didn’t know what he would do once he got to New York or what his life would be. He didn’t know how long it would take before he could send for Inez. His wife was mad right now, but she’d get over it once he got her there. At least that’s what he told himself. He turned his face to the North and sat with his back to Florida.

Leaving as he did, he figured he would never set foot in Eustis again for as long as he lived. And as he settled in for the twenty-three-hour train ride up the coast of the Atlantic, he had no desire to have anything to do with the town he grew up in, the state of Florida, or the South as a whole, for that matter.
  • WINNER | 2011
    Anisfield-Wolf Book Award
  • WINNER | 2011
    Sidney Hillman Prize
  • WINNER | 2011
    Heartland Award
  • WINNER | 2011
    Hurston/Wright Legacy Award
  • WINNER | 2011
    Mark Lynton History Prize
  • WINNER | 2011
    Stephen E. Ambrose Oral History Award
  • WINNER | 2010
    National Book Critics Circle Awards
  • WINNER | 2010
    New York Times Editors' Choice
  • WINNER | 2010
    NAACP Image Award
  • SUBMITTED
    NAACP Image Award
  • FINALIST | 2011
    Dayton Literary Peace Prize for Nonfiction
“A landmark piece of nonfiction . . . [Isabel Wilkerson’s] closeness with, and profound affection for, her subjects reflect her deep immersion in their stories and allow the reader to share that connection.”—Janet Maslin, The New York Times

“A brilliant and stirring epic, the first book to cover the full half-century of the Great Migration . . . Wilkerson combines impressive research . . . with great narrative and literary power. Ms. Wilkerson does for the Great Migration what John Steinbeck did for the Okies in his fiction masterpiece, The Grapes of Wrath; she humanizes history, giving it emotional and psychological depth.”—John Stauffer, The Wall Street Journal

“[A] massive and masterly account of the Great Migration . . . a narrative epic rigorous enough to impress all but the crankiest of scholars, yet so immensely readable as to land the author a future place on Oprah’s couch.”—David Oshinsky, The New York Times Book Review

“[A] deeply affecting, finely crafted and heroic book . . . This is narrative nonfiction, lyrical and tragic and fatalist. The story exposes; the story moves; the story ends. What Wilkerson urges, finally, isn’t argument at all; it’s compassion. Hush, and listen.”—Jill Lepore, The New Yorker

“Told in a voice that echoes the magic cadences of Toni Morrison or the folk wisdom of Zora Neale Hurston’s collected oral histories, Wilkerson’s book pulls not just the expanse of the migration into focus but its overall impact on politics, literature, music, sports—in the nation and the world.”—Lynell George, Los Angeles Times

“[An] extraordinary and evocative work.”The Washington Post

“Mesmerizing.”Chicago Tribune

“Scholarly but very readable, this book, for all its rigor, is so absorbing, it should come with a caveat: Pick it up only when you can lose yourself entirely.”O: The Oprah Magazine
 
"[An] indelible and compulsively readable portrait of race, class, and politics in twentieth-century America. History is rarely distilled so finely.”Entertainment Weekly

“Astonishing . . . Isabel Wilkerson delivers! . . . With the precision of a surgeon, Wilkerson illuminates the stories of bold, faceless African-Americans who transformed cities and industries with their hard work and determination to provide their children with better lives.”Essence

“Profound, necessary and an absolute delight to read.”—Toni Morrison

“A sweeping and yet deeply personal tale of America’s hidden twenteith-century history. This is an epic for all Americans who want to understand the making of our modern nation.”—Tom Brokaw

“A seminal work of narrative nonfiction . . . You will never forget these people.”—Gay Talese

“This book will be long remembered, and savored.”—Jon Meacham

“A masterful narrative of the rich wisdom and deep courage of a great people. Don’t miss it!”—Cornel West
© Joe Henson
Isabel Wilkerson, winner of the Pulitzer Prize and the National Humanities Medal, is the author of the critically acclaimed New York Times bestseller The Warmth of Other Suns, which won the National Book Critics Circle Award for Nonfiction and was named to Time’s 10 Best Nonfiction Books of the 2010s and The New York Times Magazine’s list of the best nonfiction books of all time. She has taught at Princeton, Emory, and Boston Universities and has lectured at more than two hundred other colleges and universities across the United States and in Europe and Asia. View titles by Isabel Wilkerson

Isabel Wilkerson: On the Universal Human Story

Discussion Guide for The Warmth of Other Suns

Provides questions, discussion topics, suggested reading lists, introductions and/or author Q&As, which are intended to enhance reading groups’ experiences.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

About

NEW YORK TIMES BESTSELLER • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • ONE OF THE NEW YORK TIMES’S FIVE BEST BOOKS OF THE 21ST CENTURY
 
“A brilliant and stirring epic . . . Ms. Wilkerson does for the Great Migration what John Steinbeck did for the Okies in his fiction masterpiece, The Grapes of Wrath; she humanizes history, giving it emotional and psychological depth.”—John Stauffer, The Wall Street Journal

“What she’s done with these oral histories is stow memory in amber.”—Lynell George, Los Angeles Times
 
WINNER: The Mark Lynton History Prize • The Anisfield-Wolf Award for Nonfiction • The Chicago Tribune Heartland Prize • The Hurston-Wright Award for Nonfiction • The Hillman Prize for Book Journalism • NAACP Image Award for Best Literary Debut • Stephen Ambrose Oral History Prize
 
FINALIST: The PEN/John Kenneth Galbraith Award for Nonfiction • Dayton Literary Peace Prize
 
ONE OF THE TEN BEST BOOKS OF THE YEAR: The New York Times USA Today Publishers Weekly O: The Oprah Magazine Salon Newsday The Daily Beast
 
ONE OF THE BEST BOOKS OF THE YEAR: The New Yorker The Washington Post The Economist Boston Globe San Francisco Chronicle Chicago Tribune Entertainment Weekly Philadelphia Inquirer The Guardian The Seattle Times St. Louis Post-Dispatch The Christian Science Monitor
 
In this beautifully written masterwork, Pulitzer Prize–winning author Isabel Wilkerson presents a definitive and dramatic account of one of the great untold stories of American history: the Great Migration of six million Black citizens who fled the South for the North and West in search of a better life, from World War I to 1970.
 
Wilkerson tells this interwoven story through the lives of three unforgettable protagonists: Ida Mae Gladney, a sharecropper’s wife, who in 1937 fled Mississippi for Chicago; sharp and quick-tempered George Starling, who in 1945 fled Florida for Harlem, and Robert Foster, a surgeon who left Louisiana in 1953 in hopes of making it in California.
 
Wilkerson brilliantly captures their first treacherous cross-country journeys by car and train and their new lives in colonies in the New World. The Warmth of Other Suns is a bold, remarkable, and riveting work, a superb account of an “unrecognized immigration” within our own land. Through the breadth of its narrative, the beauty of the writing, the depth of its research, and the fullness of the people and lives portrayed herein, this book is a modern classic.

Excerpt

In the Land of the Forefathers

Our mattresses were made

of corn shucks

and soft gray Spanish moss

that hung from the trees. . . .

From the swamps

we got soup turtles

and baby alligators

and from the woods

we got raccoon,

rabbit and possum.

—Mahalia Jackson, Movin’ On Up



Leaving

This land is first and foremost

his handiwork.

It was he who brought order

out of primeval wilderness . . .

Wherever one looks in this land,

whatever one sees that is the work of man,

was erected by the toiling

straining bodies of blacks.

—David L. Cohn, God Shakes Creation

They fly from the land that bore them.

—W. H. Stillwell

1

Chickasaw County, Mississippi, Late October 1937

ida mae brandon gladney

the night clouds were closing in on the salt licks east of the oxbow lakes along the folds in the earth beyond the Yalobusha River. The cotton was at last cleared from the field. Ida Mae tried now to get the children ready and to gather the clothes and quilts and somehow keep her mind off the churning within her. She had sold off the turkeys and doled out in secret the old stools, the wash pots, the tin tub, the bed pallets. Her husband was settling with Mr. Edd over the worth of a year’s labor, and she did not know what would come of it. None of them had been on a train before—not unless you counted the clattering local from Bacon Switch to Okolona, where, “by the time you sit down, you there,” as Ida Mae put it. None of them had been out of Mississippi. Or Chickasaw County, for that matter.

There was no explaining to little James and Velma the stuffed bags and chaos and all that was at stake or why they had to put on their shoes and not cry and bring undue attention from anyone who might happen to see them leaving. Things had to look normal, like any other time they might ride into town, which was rare enough to begin with.

Velma was six. She sat with her ankles crossed and three braids in her hair and did what she was told. James was too little to understand. He was three. He was upset at the commotion. Hold still now, James. Lemme put your shoes on, Ida Mae told him. James wriggled and kicked. He did not like shoes. He ran free in the field. What were these things? He did not like them on his feet. So Ida Mae let him go barefoot.

Miss Theenie stood watching. One by one, her children had left her and gone up north. Sam and Cleve to Ohio. Josie to Syracuse. Irene to Milwaukee. Now the man Miss Theenie had tried to keep Ida Mae from marrying in the first place was taking her away, too. Miss Theenie had no choice but to accept it and let Ida Mae and the grandchildren go for good. Miss Theenie drew them close to her, as she always did whenever anyone was leaving. She had them bow their heads. She whispered a prayer that her daughter and her daughter’s family be protected on the long journey ahead in the Jim Crow car.

“May the Lord be the first in the car,” she prayed, “and the last out.”

When the time had come, Ida Mae and little James and Velma and all that they could carry were loaded into a brother-in-law’s truck, and the three of them went to meet Ida Mae’s husband at the train depot in Okolona for the night ride out of the bottomland.

2

Wildwood, Florida, April 14, 1945

george swanson starling

a man named roscoe colton gave Lil George Starling a ride in his pickup truck to the train station in Wildwood through the fruit-bearing scrubland of central Florida. And Schoolboy, as the toothless orange pickers mockingly called him, boarded the Silver Meteor pointing north.

A railing divided the stairs onto the train, one side of the railing for white passengers, the other for colored, so the soles of their shoes would not touch the same stair. He boarded on the colored side of the railing, a final reminder from the place of his birth of the absurdity of the world he was leaving.

He was getting out alive. So he didn’t let it bother him. “I got on the car where they told me to get on,” he said years later.

He hadn’t had time to bid farewell to everyone he wanted to. He stopped to say good-bye to Rachel Jackson, who owned a little café up on what they called the Avenue and the few others he could safely get to in the little time he had. He figured everybody in Egypt town, the colored section of Eustis, probably knew he was leaving before he had climbed onto the train, small as the town was and as much as people talked.

It was a clear afternoon in the middle of April. He folded his tall frame into the hard surface of the seat, his knees knocking against the seat back in front of him. He was packed into the Jim Crow car, where the railroad stored the luggage, when the train pulled away at last. He was on the run, and he wouldn’t rest easy until he was out of range of Lake County, beyond the reach of the grove owners whose invisible laws he had broken.

The train rumbled past the forest of citrus trees that he had climbed since he was a boy and that he had tried to wrestle some dignity out of and, for a time, had. They could have their trees. He wasn’t going to lose his life over them. He had come close enough as it was.

He had lived up to his family’s accidental surname. Starling. Distant cousin to the mockingbird. He had spoken up about what he had seen in the world he was born into, like the starling that sang Mozart’s own music back to him or the starling out of Shakespeare that tormented the king by speaking the name of Mortimer. Only, George was paying the price for tormenting the ruling class that owned the citrus groves. There was no place in the Jim Crow South for a colored starling like him.

He didn’t know what he would do once he got to New York or what his life would be. He didn’t know how long it would take before he could send for Inez. His wife was mad right now, but she’d get over it once he got her there. At least that’s what he told himself. He turned his face to the North and sat with his back to Florida.

Leaving as he did, he figured he would never set foot in Eustis again for as long as he lived. And as he settled in for the twenty-three-hour train ride up the coast of the Atlantic, he had no desire to have anything to do with the town he grew up in, the state of Florida, or the South as a whole, for that matter.

Awards

  • WINNER | 2011
    Anisfield-Wolf Book Award
  • WINNER | 2011
    Sidney Hillman Prize
  • WINNER | 2011
    Heartland Award
  • WINNER | 2011
    Hurston/Wright Legacy Award
  • WINNER | 2011
    Mark Lynton History Prize
  • WINNER | 2011
    Stephen E. Ambrose Oral History Award
  • WINNER | 2010
    National Book Critics Circle Awards
  • WINNER | 2010
    New York Times Editors' Choice
  • WINNER | 2010
    NAACP Image Award
  • SUBMITTED
    NAACP Image Award
  • FINALIST | 2011
    Dayton Literary Peace Prize for Nonfiction

Praise

“A landmark piece of nonfiction . . . [Isabel Wilkerson’s] closeness with, and profound affection for, her subjects reflect her deep immersion in their stories and allow the reader to share that connection.”—Janet Maslin, The New York Times

“A brilliant and stirring epic, the first book to cover the full half-century of the Great Migration . . . Wilkerson combines impressive research . . . with great narrative and literary power. Ms. Wilkerson does for the Great Migration what John Steinbeck did for the Okies in his fiction masterpiece, The Grapes of Wrath; she humanizes history, giving it emotional and psychological depth.”—John Stauffer, The Wall Street Journal

“[A] massive and masterly account of the Great Migration . . . a narrative epic rigorous enough to impress all but the crankiest of scholars, yet so immensely readable as to land the author a future place on Oprah’s couch.”—David Oshinsky, The New York Times Book Review

“[A] deeply affecting, finely crafted and heroic book . . . This is narrative nonfiction, lyrical and tragic and fatalist. The story exposes; the story moves; the story ends. What Wilkerson urges, finally, isn’t argument at all; it’s compassion. Hush, and listen.”—Jill Lepore, The New Yorker

“Told in a voice that echoes the magic cadences of Toni Morrison or the folk wisdom of Zora Neale Hurston’s collected oral histories, Wilkerson’s book pulls not just the expanse of the migration into focus but its overall impact on politics, literature, music, sports—in the nation and the world.”—Lynell George, Los Angeles Times

“[An] extraordinary and evocative work.”The Washington Post

“Mesmerizing.”Chicago Tribune

“Scholarly but very readable, this book, for all its rigor, is so absorbing, it should come with a caveat: Pick it up only when you can lose yourself entirely.”O: The Oprah Magazine
 
"[An] indelible and compulsively readable portrait of race, class, and politics in twentieth-century America. History is rarely distilled so finely.”Entertainment Weekly

“Astonishing . . . Isabel Wilkerson delivers! . . . With the precision of a surgeon, Wilkerson illuminates the stories of bold, faceless African-Americans who transformed cities and industries with their hard work and determination to provide their children with better lives.”Essence

“Profound, necessary and an absolute delight to read.”—Toni Morrison

“A sweeping and yet deeply personal tale of America’s hidden twenteith-century history. This is an epic for all Americans who want to understand the making of our modern nation.”—Tom Brokaw

“A seminal work of narrative nonfiction . . . You will never forget these people.”—Gay Talese

“This book will be long remembered, and savored.”—Jon Meacham

“A masterful narrative of the rich wisdom and deep courage of a great people. Don’t miss it!”—Cornel West

Author

© Joe Henson
Isabel Wilkerson, winner of the Pulitzer Prize and the National Humanities Medal, is the author of the critically acclaimed New York Times bestseller The Warmth of Other Suns, which won the National Book Critics Circle Award for Nonfiction and was named to Time’s 10 Best Nonfiction Books of the 2010s and The New York Times Magazine’s list of the best nonfiction books of all time. She has taught at Princeton, Emory, and Boston Universities and has lectured at more than two hundred other colleges and universities across the United States and in Europe and Asia. View titles by Isabel Wilkerson

Media

Isabel Wilkerson: On the Universal Human Story

Guides

Discussion Guide for The Warmth of Other Suns

Provides questions, discussion topics, suggested reading lists, introductions and/or author Q&As, which are intended to enhance reading groups’ experiences.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

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With the fall semester in full swing, colleges and universities around the country have announced their Common Reading books for the upcoming 2024-25 academic year. We’ve compiled a list of over 336 programs and their title selections, which you can download here: First-Year Reading 2024-25. We will continue to update this listing to provide the

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2025 Catalog for First-Year & Common Reading

We are delighted to present our new First-Year & Common Reading Catalog for 2025! From award-winning fiction, poetry, memoir, and biography to new books about science, technology, history, student success, the environment, public health, and current events, the titles presented in our common reading catalog will have students not only eagerly flipping through the pages,

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