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Paper Girl

A Memoir of Home and Family in a Fractured America

Author Beth Macy On Tour
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An Instant National Bestseller!

"There couldn’t be a timelier book . . . searingly poignant, essential . . . Macy follows closely in the footsteps of . . . Barbara Ehrenreich and Tracy Kidder, combining memoir with reportage, a raft of sobering statistics and, most uniquely in our era, a willingness to engage in uncomfortable conversations." —The Washington Post

From one of our most acclaimed chroniclers of the forces eroding America’s social fabric, her most personal and powerful work: a reckoning with the changes that have rocked her own beloved small Ohio hometown


Urbana, Ohio, was not a utopia when Beth Macy grew up there in the ’70s and ’80s—certainly not for her family. Her dad was known as the town drunk, which hurt, as did their poverty. But Urbana had a healthy economy and thriving schools, and Macy had middle-class schoolmates whose families became her role models. Though she left for college on a Pell Grant and then a faraway career in journalism, she still clung gratefully to the place that had helped raise her.

But as Macy’s mother’s health declined in 2020, she couldn’t shake the feeling that her town had dramatically hardened. Macy had grown up as the paper girl, delivering the local newspaper, which was the community’s civic glue. Now she found scant local news and precious little civic glue. Yes, much of the work that once supported the middle class had gone away, but that didn’t begin to cover the forces turning Urbana into a poorer and angrier place. Absenteeism soared in the schools and in the workplace as a mental health crisis gripped the small city. Some of her old friends now embraced conspiracies. In nearby Springfield, Macy watched as her ex-boyfriend—once the most liberal person she knew—became a lead voice of opposition against the Haitian immigrants, parroting false talking points throughout the 2024 presidential campaign.

This was not an assignment Beth Macy had ever imagined taking on, but after her mother’s death, she decided to figure out what happened to Urbana in the forty years since she’d left. The result is an astonishing book that, by taking us into the heart of one place, brings into focus our most urgent set of national issues.


Paper Girl is a gift of courage, empathy, and insight. Beth Macy has turned to face the darkness in her family and community, people she loves wholeheartedly, even the ones she sometimes struggles to like. And in facing the truth—in person, with respect—she has found sparks of human dignity that she has used to light a signal fire of warning but also of hope.
It was June 2023, and Silas James had just graduated from Urbana High School, forty-one years after I wore that same insignia. It was a moment that was supposed to be the launching pad for his new identity and new life, as my graduation had been. It was meant to signify a break from the family chaos that had permeated most of his eighteen years.

Two full scholarships were all teed up and waiting for him at a community college in a nearby city. He planned to become a welder. Companies need welders, he knew. The nation needs welders. The pay was more than anything anyone in his family, save a few drug dealers, had ever made. And this was legit.

For Silas, manipulating metal and gas wasn’t just a way to get the hell out of Urbana, Ohio; it made him feel like an artist.

He’d been so nervous about starting college that when I asked if he took a test-​drive
to Clark State in Springfield, Ohio, the week before, he shot back: “One hundred percent, I drove an hour away just to practice.”

After his first class, he called me from the cafeteria: He’d just ordered a chicken quesadilla and a strawberry smoothie, and he was thrilled. He loved that he’d flashed his student ID to the cafeteria workers, he loved the sliding-​scale health center, and he adored Toni, the mentor they’d assigned to him as a first-​generation college student. “Everything you can think of, they have it here,” he marveled. He’d even made a potential new friend in a classmate who wore ear gauges the same size as his.

And the fact that the college webmaster had posted his photo on the home page during the first week of school? Silas had never imagined that when he was homeless, during long stretches of his junior and senior years of high school, nearly dropping out several times.

But on the third day of class, the head gasket blew on his Saturn Ion, a beater that was older than Silas by three years. The car was a goner. The next day, a relative he was staying with was injured in a car accident and left the hospital with a concussion so severe she required
around-​the-​clock supervision. Which is how he ended up a college dropout before the end of his first semester’s first week. The family organizing and caretaking had fallen to Silas, as it often did.

Even his graduation had been a bust. He found himself ruminating on his grandparents, who’d spent four days driving from Texas on the back of a single motorcycle for his commencement, only to skip the ceremony because their vision prevents them from driving at night. He hadn’t seen them since the eighth grade, and at the restaurant they took him out to for lunch, they barely managed three sentences. “They seemed burdened to be here,” Silas told me.

He thought about his favorite high school counselor, Mrs. Flowers, who came to his graduation party at the city park and handed him a card with $100 cash as the skunk of his relatives’ weed enveloped her. His older sister had gone camping and skipped the festivities altogether. He thought about his truancy officer, Brooke Perry, who’d pulled strings to get the school district to send a van to pick him up from one of his several temporary homes outside the county.

For years, teachers and counselors had been praying and pulling strings for Silas to graduate, extending shoulders and untold hours of support and sometimes even their spare bedrooms. For his own safety and mental health, they wanted him to get the hell out of Urbana.

As drum major, Silas wasn’t just the leader of the Urbana High School Marching Band; he was also the student who spent every lunch period in the band director’s office, sometimes crying, sometimes joshing with Mr. Sapp, but always plotting ahead with his favorite teacher about the next band routine, the next test, the next step of his life.

He’d pursued the drum major position his sophomore year with a single-mindedness that impressed Mr. Sapp. To become the one who led the marching band onto the field and directed songs and twirling routines, there were two requirements: You had to be able to fully execute a back bend, with the feathers of your hat plume kissing the ground; and you had to fit into one of the two drum major uniforms that Mr. Sapp, with his dwindling band budget, could afford to buy.

“He took it very seriously,” Mr. Sapp told me. “He went to all the clinics, and he practiced and practiced and practiced.”

The small uniform fit Silas’s 120-​pound, five-​two frame as if it were tailor-​made. Though his legal name was still Elizabeth James, he’d become trans and changed his name during junior year. When we met in early 2023, he was eighteen and just beginning to give himself testosterone injections. He picked the name Silas because it sounded like “silos”; he’d always been surrounded by farmland, always reveled in the way the grain storage towers punctuated the rolling midwestern landscape. His mom chose Cole, his new middle name, from a list of names he’d sent to her in jail. In his heart, he would always be a proudly rural kid.

Mr. Sapp often still slipped and called Silas “she” or “Elizabeth” or even “Shug,” the name he went by for a brief period before he landed on Silas. The students all call Mr. Sapp “David M. Sapp, director of bands,” which is a mouthful. It’s one of the many band-​kid jokes they make about him, along with ribbing him about his goofy ties and ever-​present Crocs.

I could identify with Silas. I too had been a student bandleader at this same high school and came from a childhood with its share of chaos, addiction, and utility cutoff notices. In a region where most of the industry is based on transportation—not far from where Orville and Wilbur Wright first invented flight—I could pinpoint exactly how much a crap car limited a rural kid’s ability to improve their lot. It didn’t just keep you from getting back and forth to your shift job;
it had the potential to keep you from arriving at a new and better life.

It’s not just having a car that actually starts every time that people on the other side of poverty take for granted. My mom struggled to buy me a used trumpet in the fifth grade, paying another family in town for it in monthly installments. While I have never been homeless—
mainly because my grandmother next door owned the house we lived in rent-​free—I’m not exaggerating when I say it was a miracle that I left Urbana for Bowling Green State University in my mom’s rusted Mustang, praying the whole way that its slippy clutch would not give out. I had the good fortune to leave town before falling into premature parenthood or addiction, both of which have saddled many of my family members for four generations that I know of,
maybe more.

As I got to know Silas, I was struck by how much harder the situation was for him than it was for me. The more time I spent back in my hometown, the more I recognized the unprecedented forces that were actively turning the community I loved into a poorer, sicker, angrier, and less educated place.

It’s not as if Urbana had ever been utopia for me; I was among the poorest kids in my class, and I felt it. Not just as I delivered newspapers from the back of my ten- speed, befriending people up and down the class ladder, but also on my block of South Walnut Street, where slurry voices from inside our house sometimes pierced the joyful noise of our kickball games and hide-and-seek.

I found refuge in my friends’ homes and on the pleather ottoman inside the living room of my grandma Macy, who taught me to read and write and how to play checkers. I took solace in the public library down the street, the public school I could also walk to, and the women in charge of these sacred places who were my demigods.

Decades later, around 2015, as my mom began her descent into de­mentia, I began noticing something different during trips home to see her. Something was rotting beneath the surface of my postcard- cute hometown. It wasn’t just that kids like me weren’t going away to col­lege anymore; many weren’t even finishing high school.

The newspaper I used to deliver and later wrote for had become a ghost of its former self, no longer employing paper girls like me or much of anyone. Where it used to cover everything from DUIs to city council meetings to fire station fundraisers, readers were now left to rely on press releases and Facebook posts, creating a gaping information void in my community’s understanding of itself. People now knew every detail of what their national political candidates were say­ing and doing, but almost nothing about the lives of their neighbors.

A few years ago, an old friend and I were driving around Urbana when we passed a middle- aged man riding a bicycle in the afternoon. When I admired the new‑to‑me bike path stretching from Cincinnati to Toledo that bisected the heart of our hometown, my friend set me straight: Unless they’re donning spandex, middle-aged dudes riding bikes without helmets signifies they’re on probation for DUI and can’t drive. If I saw those same men sitting on a front porch in the middle of the day, it was safe to assume they were on disability and/ or out of work.

Something was happening to our beloved hometown that didn’t quite fit the pat explanations offered by economists and sociologists, important as they were.

It’s not that the usual way of understanding what happened to a town like Urbana isn’t fundamentally true. It’s just so much more complicated, as invisible and ingrained as the air we breathe and the way we talk to each other—and don’t talk. But yes, absolutely, in my once prosperous hometown, the middle class had imploded by way of technology, offshoring, and the decline of unions, beginning in ear­nest not long after I left Ohio in the mid-1980s.

Back then, many homegrown companies were already morphing into international conglomerates. As production moved to countries with cheaper wages, our nation’s leaders talked a good game about training young people for new jobs. But American students fell be­hind other nations in science, technology, and math, and the free mar­ket, freed to send the jobs away, did just that. Politicians from both parties saw globalization as inexorable, just a natural part of Ameri­can capitalism’s aging process. As long as our 401(k)s were still grow­ing, it was easier to look away.

France, Germany, and other countries that also participated in globalization haven’t suffered the same levels of child poverty, wage stagnation, or income inequality that the United States has. But that truth is not very palatable. Many Americans, especially those who have the good fortune to be wealthy, argue that low-wage suffering is the cost of national greatness or what economists call creative de­struction; that Europe doesn’t have a company like Apple; that it’s one thing or the other. There’s a magnificent cruelty embedded in those sentiments.

I’ll never forget that moment in the 1970s when my dad landed a coveted union job painting the brand-new Upper Valley Mall in Springfield. For years after, we marveled every time we drove past the shiny white automotive bay doors he’d painted, recalling that rare window when we got to eat T‑bone steak. One in three full-time workers carried union cards when I was coming of age, but now that number is one in ten.

But any real reckoning with all the changes to the American heart­land must extend beyond economics. If I lay out life in Urbana today and measure it against life there when I was growing up, the biggest shocker to me is the staggering decline of education, in both the for­mal and the informal senses of the word. Not just how we acquire skills, but also how we learn to be human beings with each other. How we learn structure and responsibility and ambition, formally but more important through role models, including bosses at after-school jobs, other people’s parents, and, most of all, life-changing teachers—all the bulwarks of a thriving middle class. However desperate my circumstances, it was unthinkable to me not to go to school. School was my sanctuary, the place where I felt most appreciated and most myself.

How does a community lose contact with its faith in schools? And what happens when it does?
“A slew of books have attempted to reckon with the growing divide between urban and rural populations in the United States. Few do so as deftly as Beth Macy’s new book, Paper Girl . . . [Macy] toggles between personal narrative, history, and reportage to weave together a surprisingly moving account of how politics can rupture the personal . . . a cogent and thrilling story.” —The New Yorker

“In Paper Girl, Macy does what most opinion essays and social-media posts don’t even try to do: She gets out of her bubble.” —Alex Kotlowitz, The Atlantic

“Perfect for anyone trying to understand our nation’s divide on a human rather than a national level, and especially for educators and advocates, PAPER GIRL is an astounding work from an author whose compassion and curiosity knows no bounds.” —Bookreporter.com

“Macy’s personal history provides an appealing prism.” — Jennifer Szalai, The New York Times

“There couldn’t be a timelier book than Beth Macy’s searching and deeply reported Paper Girl: A Memoir of Home and Family in a Fractured America . . . searingly poignant, essential.” The Washington Post

"A compelling and humanizing look at how political and economic forces have reshaped American middle-class communities.” Bustle

“How do you reach com­mon ground with those who want to burn it all down? Macy plants a hopeful stake in the vampiric heart of collective fear and apathy. Both wide-ranging and strikingly intimate, Paper Girl is an affirmation of faith in human­ity, and Macy lights the way ahead, even as the darkness stretched before us threatens to swallow our conviction.” BookPage (starred review)

“Journalist and Dopesick author Macy poignantly interweaves her personal history with that of her decaying hometown in this perceptive account . . . Timely, clear-eyed, and empathetic, her insights provide a welcome salve for a festering social wound.” Publishers Weekly (starred review)

“With compassion and energy, Macy mourns the decline of mainstream journalism and makes a plea for more funding for public education, particularly college education.” Booklist

“Well researched and befitting her journalism background, Macy’s memoir is raw but full of resilience and hope for the future. Recommended for all collections, especially in small towns.” —Toni Cox, Library Journal

“Want to know why America is fractured? Read Paper Girl, an indispensable account of how things got so ugly here. Beth Macy grew up poor, with an alcoholic dad, in Urbana, Ohio, yet through education she made the jump to the middle class. Returning to her homeplace, she probes the factors that make a move like hers almost unimaginable for the kids who sit in the same classrooms as she did. Heartfelt, intimate and enraging, it is more than a memoir; it's a manifesto.” —Geraldine Brooks, Pulitzer Prize-winning author of Memorial Days

“Beautifully written and rigorously reported, Beth Macy’s Paper Girl is an answered prayer, an urgently needed voyage along America’s most painful fracture lines that is at once mesmerizing, chilling, and—perhaps most remarkably—hopeful.” —Andrea Elliott, Pulitzer Prize-winning author of Invisible Child

"In this tender and deeply reported memoir, Beth Macy examines how the forces that made her, have unmade generations to follow. Paper Girl reveals the makings of a crackerjack reporter and a person of profound integrity who refuses to leave behind the people and places she loves." —Eliza Griswold, Pulitzer Prize-winning author of Amity and Prosperity

“I think only Beth Macy could write a book that combines such genuine empathy, brutal honesty, and really smart analytic insight. Paper Girl is at once deeply personal and firmly anchored in social science research. Macy helps us better understand the political-cultural divide that’s ripping America apart while somehow managing to humanize both sides of that divide. This beautifully written book will teach you a lot about your fellow Americans, but it will also change how you feel about them.” —Steven Levitsky, New York Times bestselling coauthor of How Democracies Die

“One of the most humane and insightful journalists working today, Macy has triumphed with Paper Girl. It weaves together her personal story with her urgent wish to understand how her hometown lost its way economically, educationally, and emotionally. Anyone trying to understand America in its current incarnation needs to read this beautiful book.” — Susan Orlean, New York Times bestselling author of The Orchid Thief

“In Paper Girl, one of our greatest chroniclers of the America that’s fallen victim to the crises of capitalism weaves together memoir, biography, elegy, advocacyall of it surging with the energy of right now and profoundly informed by her Ohio hometown. This giant-hearted book offers hope as well as clear-eyed warnings, which land with the force of a revelation.” —Jeff Sharlet, bestselling author of The Undertow and The Family

"With Paper Girl, Beth Macy masterfully assesses a dysfunctional class system witnessed both as reporter and through lived experience. This essential book reveals that resolving our current sociopolitical crisis requires not just digging for facts but digging even deeper into our very souls." —Sarah Smarsh, New York Times bestselling author of Heartland

"What a beautiful book! Beth Macy’s compassion and keen-eyed wisdom make for powerful storytelling. Paper Girl is a personal journey that explores greater truths and should be read by anyone trying to understand what’s going on in America today." —Jeannette Walls, New York Times bestselling author of The Glass Castle
© Meredith Roller
Beth Macy has won more than two dozen national journalism awards, including a Nieman Fellowship for Journalism at Harvard University, a Guggenheim Fellowship, and a Los Angeles Times Book Prize for Dopesick, which was made into a Peabody Award-winning series for Hulu. Three of her books have been New York Times bestsellers. She lives in Roanoke, Virginia. View titles by Beth Macy

Beth Macy returns home to Urbana, OH

Discussion Guide for Paper Girl

Provides questions, discussion topics, suggested reading lists, introductions and/or author Q&As, which are intended to enhance reading groups’ experiences.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

Part I. SCHISM
Chapter 1: PRECIPICE 3
Chapter 2: TRUST 21
Chapter 3: BUBBLES 43
Chapter 4: DESCENT 59
Chapter 5: MIGRATIONS 77

Part II. SILOS
Chapter 6: HOMECOMING 99
Chapter 7: STRANGERS 119
Chapter 8: TRIBALISM 143
Chapter 9: RED-PILLED 167

Part III. SHOWING UP
Chapter 10: INTERVENTIONS 193
Chapter 11: MEDIATION 207
Chapter 12: ASCENSION 231
Chapter 13: GENIALITY 247
Chapter 14: GRACE 263
Chapter 15: THE PRICE OF IGNORANCE 287

ACKNOWLEDGMENTS 311
NOTES 315
IMAGE CREDITS 331
INDEX 333

About

An Instant National Bestseller!

"There couldn’t be a timelier book . . . searingly poignant, essential . . . Macy follows closely in the footsteps of . . . Barbara Ehrenreich and Tracy Kidder, combining memoir with reportage, a raft of sobering statistics and, most uniquely in our era, a willingness to engage in uncomfortable conversations." —The Washington Post

From one of our most acclaimed chroniclers of the forces eroding America’s social fabric, her most personal and powerful work: a reckoning with the changes that have rocked her own beloved small Ohio hometown


Urbana, Ohio, was not a utopia when Beth Macy grew up there in the ’70s and ’80s—certainly not for her family. Her dad was known as the town drunk, which hurt, as did their poverty. But Urbana had a healthy economy and thriving schools, and Macy had middle-class schoolmates whose families became her role models. Though she left for college on a Pell Grant and then a faraway career in journalism, she still clung gratefully to the place that had helped raise her.

But as Macy’s mother’s health declined in 2020, she couldn’t shake the feeling that her town had dramatically hardened. Macy had grown up as the paper girl, delivering the local newspaper, which was the community’s civic glue. Now she found scant local news and precious little civic glue. Yes, much of the work that once supported the middle class had gone away, but that didn’t begin to cover the forces turning Urbana into a poorer and angrier place. Absenteeism soared in the schools and in the workplace as a mental health crisis gripped the small city. Some of her old friends now embraced conspiracies. In nearby Springfield, Macy watched as her ex-boyfriend—once the most liberal person she knew—became a lead voice of opposition against the Haitian immigrants, parroting false talking points throughout the 2024 presidential campaign.

This was not an assignment Beth Macy had ever imagined taking on, but after her mother’s death, she decided to figure out what happened to Urbana in the forty years since she’d left. The result is an astonishing book that, by taking us into the heart of one place, brings into focus our most urgent set of national issues.


Paper Girl is a gift of courage, empathy, and insight. Beth Macy has turned to face the darkness in her family and community, people she loves wholeheartedly, even the ones she sometimes struggles to like. And in facing the truth—in person, with respect—she has found sparks of human dignity that she has used to light a signal fire of warning but also of hope.

Excerpt

It was June 2023, and Silas James had just graduated from Urbana High School, forty-one years after I wore that same insignia. It was a moment that was supposed to be the launching pad for his new identity and new life, as my graduation had been. It was meant to signify a break from the family chaos that had permeated most of his eighteen years.

Two full scholarships were all teed up and waiting for him at a community college in a nearby city. He planned to become a welder. Companies need welders, he knew. The nation needs welders. The pay was more than anything anyone in his family, save a few drug dealers, had ever made. And this was legit.

For Silas, manipulating metal and gas wasn’t just a way to get the hell out of Urbana, Ohio; it made him feel like an artist.

He’d been so nervous about starting college that when I asked if he took a test-​drive
to Clark State in Springfield, Ohio, the week before, he shot back: “One hundred percent, I drove an hour away just to practice.”

After his first class, he called me from the cafeteria: He’d just ordered a chicken quesadilla and a strawberry smoothie, and he was thrilled. He loved that he’d flashed his student ID to the cafeteria workers, he loved the sliding-​scale health center, and he adored Toni, the mentor they’d assigned to him as a first-​generation college student. “Everything you can think of, they have it here,” he marveled. He’d even made a potential new friend in a classmate who wore ear gauges the same size as his.

And the fact that the college webmaster had posted his photo on the home page during the first week of school? Silas had never imagined that when he was homeless, during long stretches of his junior and senior years of high school, nearly dropping out several times.

But on the third day of class, the head gasket blew on his Saturn Ion, a beater that was older than Silas by three years. The car was a goner. The next day, a relative he was staying with was injured in a car accident and left the hospital with a concussion so severe she required
around-​the-​clock supervision. Which is how he ended up a college dropout before the end of his first semester’s first week. The family organizing and caretaking had fallen to Silas, as it often did.

Even his graduation had been a bust. He found himself ruminating on his grandparents, who’d spent four days driving from Texas on the back of a single motorcycle for his commencement, only to skip the ceremony because their vision prevents them from driving at night. He hadn’t seen them since the eighth grade, and at the restaurant they took him out to for lunch, they barely managed three sentences. “They seemed burdened to be here,” Silas told me.

He thought about his favorite high school counselor, Mrs. Flowers, who came to his graduation party at the city park and handed him a card with $100 cash as the skunk of his relatives’ weed enveloped her. His older sister had gone camping and skipped the festivities altogether. He thought about his truancy officer, Brooke Perry, who’d pulled strings to get the school district to send a van to pick him up from one of his several temporary homes outside the county.

For years, teachers and counselors had been praying and pulling strings for Silas to graduate, extending shoulders and untold hours of support and sometimes even their spare bedrooms. For his own safety and mental health, they wanted him to get the hell out of Urbana.

As drum major, Silas wasn’t just the leader of the Urbana High School Marching Band; he was also the student who spent every lunch period in the band director’s office, sometimes crying, sometimes joshing with Mr. Sapp, but always plotting ahead with his favorite teacher about the next band routine, the next test, the next step of his life.

He’d pursued the drum major position his sophomore year with a single-mindedness that impressed Mr. Sapp. To become the one who led the marching band onto the field and directed songs and twirling routines, there were two requirements: You had to be able to fully execute a back bend, with the feathers of your hat plume kissing the ground; and you had to fit into one of the two drum major uniforms that Mr. Sapp, with his dwindling band budget, could afford to buy.

“He took it very seriously,” Mr. Sapp told me. “He went to all the clinics, and he practiced and practiced and practiced.”

The small uniform fit Silas’s 120-​pound, five-​two frame as if it were tailor-​made. Though his legal name was still Elizabeth James, he’d become trans and changed his name during junior year. When we met in early 2023, he was eighteen and just beginning to give himself testosterone injections. He picked the name Silas because it sounded like “silos”; he’d always been surrounded by farmland, always reveled in the way the grain storage towers punctuated the rolling midwestern landscape. His mom chose Cole, his new middle name, from a list of names he’d sent to her in jail. In his heart, he would always be a proudly rural kid.

Mr. Sapp often still slipped and called Silas “she” or “Elizabeth” or even “Shug,” the name he went by for a brief period before he landed on Silas. The students all call Mr. Sapp “David M. Sapp, director of bands,” which is a mouthful. It’s one of the many band-​kid jokes they make about him, along with ribbing him about his goofy ties and ever-​present Crocs.

I could identify with Silas. I too had been a student bandleader at this same high school and came from a childhood with its share of chaos, addiction, and utility cutoff notices. In a region where most of the industry is based on transportation—not far from where Orville and Wilbur Wright first invented flight—I could pinpoint exactly how much a crap car limited a rural kid’s ability to improve their lot. It didn’t just keep you from getting back and forth to your shift job;
it had the potential to keep you from arriving at a new and better life.

It’s not just having a car that actually starts every time that people on the other side of poverty take for granted. My mom struggled to buy me a used trumpet in the fifth grade, paying another family in town for it in monthly installments. While I have never been homeless—
mainly because my grandmother next door owned the house we lived in rent-​free—I’m not exaggerating when I say it was a miracle that I left Urbana for Bowling Green State University in my mom’s rusted Mustang, praying the whole way that its slippy clutch would not give out. I had the good fortune to leave town before falling into premature parenthood or addiction, both of which have saddled many of my family members for four generations that I know of,
maybe more.

As I got to know Silas, I was struck by how much harder the situation was for him than it was for me. The more time I spent back in my hometown, the more I recognized the unprecedented forces that were actively turning the community I loved into a poorer, sicker, angrier, and less educated place.

It’s not as if Urbana had ever been utopia for me; I was among the poorest kids in my class, and I felt it. Not just as I delivered newspapers from the back of my ten- speed, befriending people up and down the class ladder, but also on my block of South Walnut Street, where slurry voices from inside our house sometimes pierced the joyful noise of our kickball games and hide-and-seek.

I found refuge in my friends’ homes and on the pleather ottoman inside the living room of my grandma Macy, who taught me to read and write and how to play checkers. I took solace in the public library down the street, the public school I could also walk to, and the women in charge of these sacred places who were my demigods.

Decades later, around 2015, as my mom began her descent into de­mentia, I began noticing something different during trips home to see her. Something was rotting beneath the surface of my postcard- cute hometown. It wasn’t just that kids like me weren’t going away to col­lege anymore; many weren’t even finishing high school.

The newspaper I used to deliver and later wrote for had become a ghost of its former self, no longer employing paper girls like me or much of anyone. Where it used to cover everything from DUIs to city council meetings to fire station fundraisers, readers were now left to rely on press releases and Facebook posts, creating a gaping information void in my community’s understanding of itself. People now knew every detail of what their national political candidates were say­ing and doing, but almost nothing about the lives of their neighbors.

A few years ago, an old friend and I were driving around Urbana when we passed a middle- aged man riding a bicycle in the afternoon. When I admired the new‑to‑me bike path stretching from Cincinnati to Toledo that bisected the heart of our hometown, my friend set me straight: Unless they’re donning spandex, middle-aged dudes riding bikes without helmets signifies they’re on probation for DUI and can’t drive. If I saw those same men sitting on a front porch in the middle of the day, it was safe to assume they were on disability and/ or out of work.

Something was happening to our beloved hometown that didn’t quite fit the pat explanations offered by economists and sociologists, important as they were.

It’s not that the usual way of understanding what happened to a town like Urbana isn’t fundamentally true. It’s just so much more complicated, as invisible and ingrained as the air we breathe and the way we talk to each other—and don’t talk. But yes, absolutely, in my once prosperous hometown, the middle class had imploded by way of technology, offshoring, and the decline of unions, beginning in ear­nest not long after I left Ohio in the mid-1980s.

Back then, many homegrown companies were already morphing into international conglomerates. As production moved to countries with cheaper wages, our nation’s leaders talked a good game about training young people for new jobs. But American students fell be­hind other nations in science, technology, and math, and the free mar­ket, freed to send the jobs away, did just that. Politicians from both parties saw globalization as inexorable, just a natural part of Ameri­can capitalism’s aging process. As long as our 401(k)s were still grow­ing, it was easier to look away.

France, Germany, and other countries that also participated in globalization haven’t suffered the same levels of child poverty, wage stagnation, or income inequality that the United States has. But that truth is not very palatable. Many Americans, especially those who have the good fortune to be wealthy, argue that low-wage suffering is the cost of national greatness or what economists call creative de­struction; that Europe doesn’t have a company like Apple; that it’s one thing or the other. There’s a magnificent cruelty embedded in those sentiments.

I’ll never forget that moment in the 1970s when my dad landed a coveted union job painting the brand-new Upper Valley Mall in Springfield. For years after, we marveled every time we drove past the shiny white automotive bay doors he’d painted, recalling that rare window when we got to eat T‑bone steak. One in three full-time workers carried union cards when I was coming of age, but now that number is one in ten.

But any real reckoning with all the changes to the American heart­land must extend beyond economics. If I lay out life in Urbana today and measure it against life there when I was growing up, the biggest shocker to me is the staggering decline of education, in both the for­mal and the informal senses of the word. Not just how we acquire skills, but also how we learn to be human beings with each other. How we learn structure and responsibility and ambition, formally but more important through role models, including bosses at after-school jobs, other people’s parents, and, most of all, life-changing teachers—all the bulwarks of a thriving middle class. However desperate my circumstances, it was unthinkable to me not to go to school. School was my sanctuary, the place where I felt most appreciated and most myself.

How does a community lose contact with its faith in schools? And what happens when it does?

Praise

“A slew of books have attempted to reckon with the growing divide between urban and rural populations in the United States. Few do so as deftly as Beth Macy’s new book, Paper Girl . . . [Macy] toggles between personal narrative, history, and reportage to weave together a surprisingly moving account of how politics can rupture the personal . . . a cogent and thrilling story.” —The New Yorker

“In Paper Girl, Macy does what most opinion essays and social-media posts don’t even try to do: She gets out of her bubble.” —Alex Kotlowitz, The Atlantic

“Perfect for anyone trying to understand our nation’s divide on a human rather than a national level, and especially for educators and advocates, PAPER GIRL is an astounding work from an author whose compassion and curiosity knows no bounds.” —Bookreporter.com

“Macy’s personal history provides an appealing prism.” — Jennifer Szalai, The New York Times

“There couldn’t be a timelier book than Beth Macy’s searching and deeply reported Paper Girl: A Memoir of Home and Family in a Fractured America . . . searingly poignant, essential.” The Washington Post

"A compelling and humanizing look at how political and economic forces have reshaped American middle-class communities.” Bustle

“How do you reach com­mon ground with those who want to burn it all down? Macy plants a hopeful stake in the vampiric heart of collective fear and apathy. Both wide-ranging and strikingly intimate, Paper Girl is an affirmation of faith in human­ity, and Macy lights the way ahead, even as the darkness stretched before us threatens to swallow our conviction.” BookPage (starred review)

“Journalist and Dopesick author Macy poignantly interweaves her personal history with that of her decaying hometown in this perceptive account . . . Timely, clear-eyed, and empathetic, her insights provide a welcome salve for a festering social wound.” Publishers Weekly (starred review)

“With compassion and energy, Macy mourns the decline of mainstream journalism and makes a plea for more funding for public education, particularly college education.” Booklist

“Well researched and befitting her journalism background, Macy’s memoir is raw but full of resilience and hope for the future. Recommended for all collections, especially in small towns.” —Toni Cox, Library Journal

“Want to know why America is fractured? Read Paper Girl, an indispensable account of how things got so ugly here. Beth Macy grew up poor, with an alcoholic dad, in Urbana, Ohio, yet through education she made the jump to the middle class. Returning to her homeplace, she probes the factors that make a move like hers almost unimaginable for the kids who sit in the same classrooms as she did. Heartfelt, intimate and enraging, it is more than a memoir; it's a manifesto.” —Geraldine Brooks, Pulitzer Prize-winning author of Memorial Days

“Beautifully written and rigorously reported, Beth Macy’s Paper Girl is an answered prayer, an urgently needed voyage along America’s most painful fracture lines that is at once mesmerizing, chilling, and—perhaps most remarkably—hopeful.” —Andrea Elliott, Pulitzer Prize-winning author of Invisible Child

"In this tender and deeply reported memoir, Beth Macy examines how the forces that made her, have unmade generations to follow. Paper Girl reveals the makings of a crackerjack reporter and a person of profound integrity who refuses to leave behind the people and places she loves." —Eliza Griswold, Pulitzer Prize-winning author of Amity and Prosperity

“I think only Beth Macy could write a book that combines such genuine empathy, brutal honesty, and really smart analytic insight. Paper Girl is at once deeply personal and firmly anchored in social science research. Macy helps us better understand the political-cultural divide that’s ripping America apart while somehow managing to humanize both sides of that divide. This beautifully written book will teach you a lot about your fellow Americans, but it will also change how you feel about them.” —Steven Levitsky, New York Times bestselling coauthor of How Democracies Die

“One of the most humane and insightful journalists working today, Macy has triumphed with Paper Girl. It weaves together her personal story with her urgent wish to understand how her hometown lost its way economically, educationally, and emotionally. Anyone trying to understand America in its current incarnation needs to read this beautiful book.” — Susan Orlean, New York Times bestselling author of The Orchid Thief

“In Paper Girl, one of our greatest chroniclers of the America that’s fallen victim to the crises of capitalism weaves together memoir, biography, elegy, advocacyall of it surging with the energy of right now and profoundly informed by her Ohio hometown. This giant-hearted book offers hope as well as clear-eyed warnings, which land with the force of a revelation.” —Jeff Sharlet, bestselling author of The Undertow and The Family

"With Paper Girl, Beth Macy masterfully assesses a dysfunctional class system witnessed both as reporter and through lived experience. This essential book reveals that resolving our current sociopolitical crisis requires not just digging for facts but digging even deeper into our very souls." —Sarah Smarsh, New York Times bestselling author of Heartland

"What a beautiful book! Beth Macy’s compassion and keen-eyed wisdom make for powerful storytelling. Paper Girl is a personal journey that explores greater truths and should be read by anyone trying to understand what’s going on in America today." —Jeannette Walls, New York Times bestselling author of The Glass Castle

Author

© Meredith Roller
Beth Macy has won more than two dozen national journalism awards, including a Nieman Fellowship for Journalism at Harvard University, a Guggenheim Fellowship, and a Los Angeles Times Book Prize for Dopesick, which was made into a Peabody Award-winning series for Hulu. Three of her books have been New York Times bestsellers. She lives in Roanoke, Virginia. View titles by Beth Macy

Media

Beth Macy returns home to Urbana, OH

Guides

Discussion Guide for Paper Girl

Provides questions, discussion topics, suggested reading lists, introductions and/or author Q&As, which are intended to enhance reading groups’ experiences.

(Please note: the guide displayed here is the most recently uploaded version; while unlikely, any page citation discrepancies between the guide and book is likely due to pagination differences between a book’s different formats.)

Table of Contents

Part I. SCHISM
Chapter 1: PRECIPICE 3
Chapter 2: TRUST 21
Chapter 3: BUBBLES 43
Chapter 4: DESCENT 59
Chapter 5: MIGRATIONS 77

Part II. SILOS
Chapter 6: HOMECOMING 99
Chapter 7: STRANGERS 119
Chapter 8: TRIBALISM 143
Chapter 9: RED-PILLED 167

Part III. SHOWING UP
Chapter 10: INTERVENTIONS 193
Chapter 11: MEDIATION 207
Chapter 12: ASCENSION 231
Chapter 13: GENIALITY 247
Chapter 14: GRACE 263
Chapter 15: THE PRICE OF IGNORANCE 287

ACKNOWLEDGMENTS 311
NOTES 315
IMAGE CREDITS 331
INDEX 333

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