A piercingly powerful memoir, a grandson’s account of the coup that ended his grandfather's presidency of Haiti, the secrecy that shrouded that wound within his family, and his urgent efforts to know his mother despite the past.

“A brilliant, absorbing book...I couldn’t stop reading.” —Salman Rushdie, author of Knife


Rich Benjamin’s mother, Danielle Fignolé, grew up the eldest in a large family living a comfortable life in Port-au-Prince. Her mother was a schoolteacher, her father a populist hero—a labor leader and politician. The first true champion of the black masses, he eventually became the country’s president in 1957. But two weeks after his inauguration, that life was shattered. Soldiers took Danielle’s parents at gunpoint and put them on a plane to New York, a coup hatched by the Eisenhower administration. Danielle and her siblings were kidnapped, and ultimately smuggled out of the country. 

Growing up, Rich knew little of this. No one in his family spoke of it. He didn’t know why his mother struggled with emotional connection, why she was so erratic, so quick to anger. And she, in turn, knew so little about him, about the emotional pain he moved through as a child, the physical agony from his blood disease, while coming to terms with his sexuality at the dawn of the AIDS crisis. For all that they could talk about—books, learning, world events—the deepest parts of themselves remained a mystery to one another, a silence that, the older Rich got, the less he could bear. 

It would take Rich years to piece together the turmoil that carried forward from his grandfather, to his mother, to him, and then to bring that story to light. In Talk to Me, he doesn’t just paint the portrait of his family, but a bold, pugnacious portrait of America—of the human cost of the country’s hostilities abroad, the experience of migrants on these shores, and how the indelible ties of family endure through triumph and loss, from generation to generation.
Chapter 1

My mother carries many names. My whole life I have called her Mommy. She insisted on it, appalled by my friends who called their mothers by first name. But Mommy suggests a maternal warmth my mother never had, and it imparts an infantilizing smallness on those who utter it. It would embarrass me in high school, college, and even now when my friends overhear me on the phone: “Okay, Mommy. I’m doing my best.” My sisters, middle-aged women, use the word Mommy sometimes with a cutting sarcasm they don’t quite intend. “Would someone call that woman an Uber? Mommy got lost again.”

Her sisters called her Danny, especially when they needed something from her. It showed affection, but it also brought her down a peg or two. “Did you hear what Danny did?” an auntie would snicker, making my mother sound like some dumb teenager. But also: “Oh, Auntie Danny [flattery, flattery, flattery]!” a broke cousin would crow, angling for yet another in a lifetime of handouts. Danny is a name of approach, familiar, endearing, a versatile catchall for the many roles my mother plays to extended family.

Her friends and staff at the United Nations used to introduce her as Danielle Benjamin, which is also how she signed all her correspondence. It’s a posh sort of name, worn by the kind of person with more luxuries than problems. In my twenties, I would pick her up at the UN complex in Manhattan so we could go out to lunch. Danielle, beaming, would grab my hand and shove me toward her colleagues.

“This is my son Richard. He’s a professor. He’s come all the way from California—especially to see me.” And her colleagues, UN officials, would say with excitement, “You’re the son of Danielle Benjamin?” I would smile, proud. That name made her formidable, a powerful, independent woman, even though she’d inherited it from two men, her father, Daniel, and her husband.

To Pops, our father, she was always “your mother.” “Your mother said so,” he’d explain as he denied we siblings something we wanted, putting on his helpless, remote face. He got to be light and easy by making his wife—“your mother”—a shrew. One Saturday afternoon sometime in the nineties Pops turned up with a brand-new SUV. My siblings and I circled the golden Lexus in the driveway, jumping up and down. Pops had bought it on a whim for thirty thousand dollars. Mommy screamed at him for hours, then wouldn’t speak to him for days. She was the one who had to bring things back down to planet Earth. It was her refugee mentality that kept us bathed, educated, fed. He got to gallivant the world and be the popular one. She had to make the tough choices. Those choices got us where we are today.

Just as her names stir a nest of contradiction, so too does her demeanor. Closed off and harsh in some instances, she is also a devoted humanitarian. Wherever I travel around the globe, strangers corner me, recite all the things that Danielle has done for them: bought braces for their daughter to straighten her teeth; shipped books to their broke, crowded school; slipped them money so they could flee their war-ravaged country. Never have I met anyone with the capacity to be so noxious one moment, so generous the next.

I never know which version of her will turn up, the damning judge or the empathic Samaritan. Years ago, I visited her at her independent senior–living community in suburban Maryland. We came upon her neighbor in the third-floor hallway, sprawled on the floor in front of her own door.
“I fell,” she cried.

“One second!” I said. “Let me help you up.” Her face brightened, but then we heard my mother bark:

“Don’t help her! Just leave her on the floor.”

“Excuse me?” said the old lady. Her face froze and her voice hard- ened on the question.

Mommy ignored her and turned to me. “When some granny falls, you’re not supposed to move them. Just call nine one one.”

“Please don’t call nine one one,” the woman croaked. “My son had to pick me up in the emergency room last week—then his wife threatened to put me in a nursing home.”

My mother looked down at her neighbor, her filmy blue eyes hopeful and pleading.

“C’mon. Just give me a little boost. Once I grab that doorknob, I can do the rest myself. Please?”

The lady did a small wave of her hand, jewels blinking from her wrinkled knuckles, as if to remind me how close she was to reaching her door from the floor.

“Don’t touch her!”

“Sorry.” I shrugged. I reached for my phone and called 911. I spoke slowly and cheerfully to the dispatcher, so as not to panic the woman.

For an awkward fifteen minutes, I made small talk with the woman between her pained whimpers, while my mother checked her email on her cell phone. As soon as the paramedics arrived, Mommy announced, “Great. Let’s go.”

Even as Danielle abandons you to your own devices, she won’t miss an opportunity to control you. So ingrained are her refugee tics, she will impose her anxiety on you and shatter your calm in an instant.

Years ago, on yet another visit, my mother and I got ready for bed in my Brooklyn apartment. She appeared to be in a jolly mood when she emerged from my bathroom, traces of her night cream pocking her cheeks.

“What time do we need to be up?” she asked as she settled into my bed.

“No specific time. Sleep in and we’ll have a leisurely morning before I head to work.”

The next day I woke to an amber flush of light shining on my face from the large living room windows. I took a deep breath, savoring the sensation of a beautiful mind, that rare, primordial morning clarity when my writer’s head is spacious. I rolled out of the sleeping bag and onto a yoga mat. Each long, slow breath lent a small bliss to the syncopated release of my muscles. After Ustrasana, a generous, heart-opening stretch, I sat on my off-white tufted couch, meditating, then rose, put on a kettle, and arranged my Japanese tea leaves into the infuser. I slowly poured the boiled water to steep the aromatic loose-leaf sencha and watched with well-versed patience, waiting for the leaves to release just the right sweet grassiness.

My mother vaulted out of my bedroom, eyes bulging, brow scrunched, mouth crimped.

“Wake up! You’re late! Hurry up!” she hollered. Her cheeks drilled down, compressing her mouth into a tight, ugly pucker. “What time is it?” she yelled, her eyes darting across the kitchen, searching for a clock. There was none. “You’re late!”

Seeing no reaction from me, she thrust her index finger in my face. “You’re going to lose your job!”

My chest tightened. “Am I late for work?” I wondered. My shoulders clenched. I checked my phone: It was barely eight. I wanted to slap her that instant. I could practically see my beautiful mind on the kitchen floor in a small pile of ashes.

And then a smile crept on my lips. My mother’s expression transported me directly to my childhood; she’d been screaming at me since I was a baby. I was certain my nervous system had been shot thanks to shouting sprees like this, growing up with her dramatics. She had a penchant for beginning every school day, every shopping outing, every vacation, in a frenzy, certain that the worst was about to ambush us. Staring at her now, I wanted to remind her of what I’d said the night before, that there would be no rushing this morning.

Instead I said nothing. I turned to my cup and wriggled the brew basket. The leaves had steeped too long; I knew that my tea would taste bitter.

To her chagrin, Mommy’s antics often boomerang back at her. I am more like her than either of us cares to admit. Her sensibilities—her outbursts, her aggressions—grate on me because they hold an unflattering mirror to my own, and I suspect my mother is often caught off guard, in turn, by how my impatience, my aloofness, lasers on her.

Once, walking down Sixth Avenue from Penn Station, I looked, midsentence, to my right: I’d been talking to no one. I swiveled and saw my mother many feet behind me. She was in her midseventies then, standing next to her small pull-along suitcase, panting.

“This thing,” she moaned. “Can you take it? My asthma is killing me.” She started exhaling some loud, dramatic breaths.

“C’mon,” I snapped. “Stop faking!”

Mommy did a double take. “It’s heavy.” I could see her eyes tear up.

“Next time don’t pack so many shoes. One pair. That’s all the sneakers one needs for a weekend.”

I looked her in the eyes for punctuation, turned around, and kept walking.

Another evening, she told me she had news. Doctors had found a precancerous lesion in her breast. She asked me to go to the hospital with her for the surgery. I eagerly volunteered to call her a car to get her to the operation on time. Nothing else. It took years for me to realize my misunderstanding, the cold idiocy of my reply. Mommy was seeking company and comfort through an unnerving ordeal, not transportation to an appointment. But it was a time in my life in which I genuinely believed that organizing her car service to the hospital covered my bases for being a good son.

As much as I hope to demonize this woman, I find that I can’t. I am but a photonegative of her. So, notably, it is not just the way we fight that bonds us, it’s the way we laugh.
A Best Book of February from Vanity Fair, TIME Magazine, Book Riot, and Ebony

A Best Book of the Week from Daily Kos, Literary Hub, and Book Riot

A Most Anticipated Book from Oprah Daily, New York Post, Foreign Policy, Arlington Magazine, Literary Hub, Publishers Weekly, Blavity, The Week, and Traci Thomas on SheReads


“A brilliant, absorbing book, a family story, a tale of power, exile, and calamity, a love letter to Benjamin’s mother that becomes a deep look into the darkness of Haitian history. And it’s also a no-holds-barred autobiography. I couldn’t stop reading.”
Salman Rushdie, author of Knife

“A moving and valuable book. Benjamin is dogged in pursuing the historical understanding that might help him unravel his family’s psychic anguish…‘How can I better love my mother?’ he asks near the end of the book. Talk to Me does hard, earnest work toward this better love.”
—New York Times Book Review

“Benjamin unearths the secrets of his family’s hidden past in hopes of better understanding his mother…Through intense research, Benjamin looks to understand the far-reaching consequences of the devastating political event.”
—TIME

“A family epic…Talk to Me makes the case that understanding Haiti’s place in the New World might lead to a fuller accounting of the entire hemisphere’s history—including our own.”
—The Atlantic

“[Benjamin’s] new book, Talk to Me, is even more personal, and if possible even braver [than his last].”
—Boston Globe

“Through deep research, Benjamin plumbs secrets—both familial and national.”
—Vanity Fair

“This memoir explores the everlasting effects of this upheaval, offering a moving story on identity, family and how political catastrophe can impact relational dynamics.”
—New York Post

"Unflinching...A poignant critique of America's impact on migrants and the enduring bonds of family."
—Oprah Daily


“Benjamin tells a story in Talk to Me that is intimate, harrowing, and complex, showing the freedom and power in restoring personal and political memory and illustrating that sometimes knowing someone’s story is the best path to forgiveness and healing.”
BreneBrown.com

“A deeply personal meditation on the cost of unspoken histories…A profound exploration of the spaces between us and the courage it takes to bridge them.”
—Esther Perel

“Filled with political intrigue and Benjamin’s exploration of his own identity, the memoir’s greatest gift is perhaps the poignancy of scenes built around his mother Danielle Fignolé Benjamin and her many siblings.”
The Haitian Times

“Blending memoir with history, the result is a deeply affecting exploration of family, survival, and the hidden costs of political turmoil.”
Arlington Magazine

“Rare is the memoir that allows us a window into the deeply personal fallout of very public, world-historical moments in history. So it is with Benjamin’s Talk to Me, the story of his family’s unwilling exile from Haiti (his grandfather was briefly president in 1957), and how that unspoken trauma passed from generation to generation.”
Literary Hub

“Gripping…Benjamin that tells the story of his grandfather, Daniel Fignolé, who was the president of Haiti in 1957 until he was pushed out of power as a result of a coup in which his mother and her siblings were kidnapped.”
The Root

“Incredibly moving…[A] beautiful, heartfelt work.”
Book and Film Globe

"Talk to Me is a revelation. As unflinching as it is tender, it is the story of a nation and an intimate portrayal of a family. Rich Benjamin meticulously probes into Haiti's vast history while sensitively revealing with the painful secrets that his mother and her sisters carried to America. This is a son's homage to a complex, brilliant woman and a letter of longing to a Haiti that might have been, and could still become."
—Maaza Mengiste, author of The Shadow King, finalist for the Booker Prize

“Talk to Me is a tour-de-force! I was gripped by every page of this meticulously researched and emotionally rich mother-son memoir, which explores how one family is unmade and remade—again and again—by forces both external and internal. Rich Benjamin is a supremely talented writer, able to convey complex subject matters—the political landscape of Haiti, the parental abandonment that shaped him, and his reckoning with sickle cell anemia, being gay, and numerous family secrets—in elegant and moving prose. You will not be able to put it down!”
—Adrienne Brodeur, author of Little Monsters

“Rich Benjamin contains multitudes. The grandson of a president of Haiti, son of an Ivy League graduate, gifted with a brilliant mother. Now he's written an eloquent, Argos-eyed love letter.”
Edmund White, author of The Humble Lover

Talk to Me is a brilliant exploration of the complexities of the parent-child relationship in Ayiti. Rich Benjamin masterfully defies his family's silence, uncovering truths long buried. A deeply moving, disciplined journey that refuses to accept what’s left unsaid.”
SEJOE, writer and producer of Nou Chaje Ak Pwoblèm

“An evocative, wise memoir of a multilayered search for roots.”
Kirkus, starred review

“This brutal, spellbinding tale is at once a searing domestic drama and an illuminating glimpse at Haiti’s history. Readers will be rapt.”
Publishers Weekly, starred review

“Benjamin is a vivid writer whose honesty spares no one…In Talk to Me, violence, whether in war, politics, crime or families, has a long afterlife that is dangerous to overlook.”
BookPage, starred review

“[Benjamin’s] training as a cultural anthropologist shines through in his extensive research, and he renders history in lush, expressive detail… The three main characters—grandfather, mother, and Benjamin himself—all try to reconcile their desire for a better world with a desire for their family’s safety. This struggle manifests differently for each of them, and the resulting tension binds the work together. Ultimately, Benjamin's book succeeds as both a political history of twentieth-century Haiti and a compelling family saga.”
Booklist
© Stephen K. Mack
RICH BENJAMIN is a cultural anthropologist and the author of Searching for Whitopia. His writing has appeared in the New Yorker, the New York Times, and elsewhere, and he’s appeared as a commentator on MSNBC and CNN. His work has received support from the Bellagio Center, Civitella Ranieri Foundation, Columbia Law School, the Cullman Center for Scholars and Writers, the Ford Foundation, Princeton University, the Rockefeller Foundation, the Russell Sage Foundation, and the Harvard-Radcliffe Institute. View titles by Rich Benjamin

About

A piercingly powerful memoir, a grandson’s account of the coup that ended his grandfather's presidency of Haiti, the secrecy that shrouded that wound within his family, and his urgent efforts to know his mother despite the past.

“A brilliant, absorbing book...I couldn’t stop reading.” —Salman Rushdie, author of Knife


Rich Benjamin’s mother, Danielle Fignolé, grew up the eldest in a large family living a comfortable life in Port-au-Prince. Her mother was a schoolteacher, her father a populist hero—a labor leader and politician. The first true champion of the black masses, he eventually became the country’s president in 1957. But two weeks after his inauguration, that life was shattered. Soldiers took Danielle’s parents at gunpoint and put them on a plane to New York, a coup hatched by the Eisenhower administration. Danielle and her siblings were kidnapped, and ultimately smuggled out of the country. 

Growing up, Rich knew little of this. No one in his family spoke of it. He didn’t know why his mother struggled with emotional connection, why she was so erratic, so quick to anger. And she, in turn, knew so little about him, about the emotional pain he moved through as a child, the physical agony from his blood disease, while coming to terms with his sexuality at the dawn of the AIDS crisis. For all that they could talk about—books, learning, world events—the deepest parts of themselves remained a mystery to one another, a silence that, the older Rich got, the less he could bear. 

It would take Rich years to piece together the turmoil that carried forward from his grandfather, to his mother, to him, and then to bring that story to light. In Talk to Me, he doesn’t just paint the portrait of his family, but a bold, pugnacious portrait of America—of the human cost of the country’s hostilities abroad, the experience of migrants on these shores, and how the indelible ties of family endure through triumph and loss, from generation to generation.

Excerpt

Chapter 1

My mother carries many names. My whole life I have called her Mommy. She insisted on it, appalled by my friends who called their mothers by first name. But Mommy suggests a maternal warmth my mother never had, and it imparts an infantilizing smallness on those who utter it. It would embarrass me in high school, college, and even now when my friends overhear me on the phone: “Okay, Mommy. I’m doing my best.” My sisters, middle-aged women, use the word Mommy sometimes with a cutting sarcasm they don’t quite intend. “Would someone call that woman an Uber? Mommy got lost again.”

Her sisters called her Danny, especially when they needed something from her. It showed affection, but it also brought her down a peg or two. “Did you hear what Danny did?” an auntie would snicker, making my mother sound like some dumb teenager. But also: “Oh, Auntie Danny [flattery, flattery, flattery]!” a broke cousin would crow, angling for yet another in a lifetime of handouts. Danny is a name of approach, familiar, endearing, a versatile catchall for the many roles my mother plays to extended family.

Her friends and staff at the United Nations used to introduce her as Danielle Benjamin, which is also how she signed all her correspondence. It’s a posh sort of name, worn by the kind of person with more luxuries than problems. In my twenties, I would pick her up at the UN complex in Manhattan so we could go out to lunch. Danielle, beaming, would grab my hand and shove me toward her colleagues.

“This is my son Richard. He’s a professor. He’s come all the way from California—especially to see me.” And her colleagues, UN officials, would say with excitement, “You’re the son of Danielle Benjamin?” I would smile, proud. That name made her formidable, a powerful, independent woman, even though she’d inherited it from two men, her father, Daniel, and her husband.

To Pops, our father, she was always “your mother.” “Your mother said so,” he’d explain as he denied we siblings something we wanted, putting on his helpless, remote face. He got to be light and easy by making his wife—“your mother”—a shrew. One Saturday afternoon sometime in the nineties Pops turned up with a brand-new SUV. My siblings and I circled the golden Lexus in the driveway, jumping up and down. Pops had bought it on a whim for thirty thousand dollars. Mommy screamed at him for hours, then wouldn’t speak to him for days. She was the one who had to bring things back down to planet Earth. It was her refugee mentality that kept us bathed, educated, fed. He got to gallivant the world and be the popular one. She had to make the tough choices. Those choices got us where we are today.

Just as her names stir a nest of contradiction, so too does her demeanor. Closed off and harsh in some instances, she is also a devoted humanitarian. Wherever I travel around the globe, strangers corner me, recite all the things that Danielle has done for them: bought braces for their daughter to straighten her teeth; shipped books to their broke, crowded school; slipped them money so they could flee their war-ravaged country. Never have I met anyone with the capacity to be so noxious one moment, so generous the next.

I never know which version of her will turn up, the damning judge or the empathic Samaritan. Years ago, I visited her at her independent senior–living community in suburban Maryland. We came upon her neighbor in the third-floor hallway, sprawled on the floor in front of her own door.
“I fell,” she cried.

“One second!” I said. “Let me help you up.” Her face brightened, but then we heard my mother bark:

“Don’t help her! Just leave her on the floor.”

“Excuse me?” said the old lady. Her face froze and her voice hard- ened on the question.

Mommy ignored her and turned to me. “When some granny falls, you’re not supposed to move them. Just call nine one one.”

“Please don’t call nine one one,” the woman croaked. “My son had to pick me up in the emergency room last week—then his wife threatened to put me in a nursing home.”

My mother looked down at her neighbor, her filmy blue eyes hopeful and pleading.

“C’mon. Just give me a little boost. Once I grab that doorknob, I can do the rest myself. Please?”

The lady did a small wave of her hand, jewels blinking from her wrinkled knuckles, as if to remind me how close she was to reaching her door from the floor.

“Don’t touch her!”

“Sorry.” I shrugged. I reached for my phone and called 911. I spoke slowly and cheerfully to the dispatcher, so as not to panic the woman.

For an awkward fifteen minutes, I made small talk with the woman between her pained whimpers, while my mother checked her email on her cell phone. As soon as the paramedics arrived, Mommy announced, “Great. Let’s go.”

Even as Danielle abandons you to your own devices, she won’t miss an opportunity to control you. So ingrained are her refugee tics, she will impose her anxiety on you and shatter your calm in an instant.

Years ago, on yet another visit, my mother and I got ready for bed in my Brooklyn apartment. She appeared to be in a jolly mood when she emerged from my bathroom, traces of her night cream pocking her cheeks.

“What time do we need to be up?” she asked as she settled into my bed.

“No specific time. Sleep in and we’ll have a leisurely morning before I head to work.”

The next day I woke to an amber flush of light shining on my face from the large living room windows. I took a deep breath, savoring the sensation of a beautiful mind, that rare, primordial morning clarity when my writer’s head is spacious. I rolled out of the sleeping bag and onto a yoga mat. Each long, slow breath lent a small bliss to the syncopated release of my muscles. After Ustrasana, a generous, heart-opening stretch, I sat on my off-white tufted couch, meditating, then rose, put on a kettle, and arranged my Japanese tea leaves into the infuser. I slowly poured the boiled water to steep the aromatic loose-leaf sencha and watched with well-versed patience, waiting for the leaves to release just the right sweet grassiness.

My mother vaulted out of my bedroom, eyes bulging, brow scrunched, mouth crimped.

“Wake up! You’re late! Hurry up!” she hollered. Her cheeks drilled down, compressing her mouth into a tight, ugly pucker. “What time is it?” she yelled, her eyes darting across the kitchen, searching for a clock. There was none. “You’re late!”

Seeing no reaction from me, she thrust her index finger in my face. “You’re going to lose your job!”

My chest tightened. “Am I late for work?” I wondered. My shoulders clenched. I checked my phone: It was barely eight. I wanted to slap her that instant. I could practically see my beautiful mind on the kitchen floor in a small pile of ashes.

And then a smile crept on my lips. My mother’s expression transported me directly to my childhood; she’d been screaming at me since I was a baby. I was certain my nervous system had been shot thanks to shouting sprees like this, growing up with her dramatics. She had a penchant for beginning every school day, every shopping outing, every vacation, in a frenzy, certain that the worst was about to ambush us. Staring at her now, I wanted to remind her of what I’d said the night before, that there would be no rushing this morning.

Instead I said nothing. I turned to my cup and wriggled the brew basket. The leaves had steeped too long; I knew that my tea would taste bitter.

To her chagrin, Mommy’s antics often boomerang back at her. I am more like her than either of us cares to admit. Her sensibilities—her outbursts, her aggressions—grate on me because they hold an unflattering mirror to my own, and I suspect my mother is often caught off guard, in turn, by how my impatience, my aloofness, lasers on her.

Once, walking down Sixth Avenue from Penn Station, I looked, midsentence, to my right: I’d been talking to no one. I swiveled and saw my mother many feet behind me. She was in her midseventies then, standing next to her small pull-along suitcase, panting.

“This thing,” she moaned. “Can you take it? My asthma is killing me.” She started exhaling some loud, dramatic breaths.

“C’mon,” I snapped. “Stop faking!”

Mommy did a double take. “It’s heavy.” I could see her eyes tear up.

“Next time don’t pack so many shoes. One pair. That’s all the sneakers one needs for a weekend.”

I looked her in the eyes for punctuation, turned around, and kept walking.

Another evening, she told me she had news. Doctors had found a precancerous lesion in her breast. She asked me to go to the hospital with her for the surgery. I eagerly volunteered to call her a car to get her to the operation on time. Nothing else. It took years for me to realize my misunderstanding, the cold idiocy of my reply. Mommy was seeking company and comfort through an unnerving ordeal, not transportation to an appointment. But it was a time in my life in which I genuinely believed that organizing her car service to the hospital covered my bases for being a good son.

As much as I hope to demonize this woman, I find that I can’t. I am but a photonegative of her. So, notably, it is not just the way we fight that bonds us, it’s the way we laugh.

Praise

A Best Book of February from Vanity Fair, TIME Magazine, Book Riot, and Ebony

A Best Book of the Week from Daily Kos, Literary Hub, and Book Riot

A Most Anticipated Book from Oprah Daily, New York Post, Foreign Policy, Arlington Magazine, Literary Hub, Publishers Weekly, Blavity, The Week, and Traci Thomas on SheReads


“A brilliant, absorbing book, a family story, a tale of power, exile, and calamity, a love letter to Benjamin’s mother that becomes a deep look into the darkness of Haitian history. And it’s also a no-holds-barred autobiography. I couldn’t stop reading.”
Salman Rushdie, author of Knife

“A moving and valuable book. Benjamin is dogged in pursuing the historical understanding that might help him unravel his family’s psychic anguish…‘How can I better love my mother?’ he asks near the end of the book. Talk to Me does hard, earnest work toward this better love.”
—New York Times Book Review

“Benjamin unearths the secrets of his family’s hidden past in hopes of better understanding his mother…Through intense research, Benjamin looks to understand the far-reaching consequences of the devastating political event.”
—TIME

“A family epic…Talk to Me makes the case that understanding Haiti’s place in the New World might lead to a fuller accounting of the entire hemisphere’s history—including our own.”
—The Atlantic

“[Benjamin’s] new book, Talk to Me, is even more personal, and if possible even braver [than his last].”
—Boston Globe

“Through deep research, Benjamin plumbs secrets—both familial and national.”
—Vanity Fair

“This memoir explores the everlasting effects of this upheaval, offering a moving story on identity, family and how political catastrophe can impact relational dynamics.”
—New York Post

"Unflinching...A poignant critique of America's impact on migrants and the enduring bonds of family."
—Oprah Daily


“Benjamin tells a story in Talk to Me that is intimate, harrowing, and complex, showing the freedom and power in restoring personal and political memory and illustrating that sometimes knowing someone’s story is the best path to forgiveness and healing.”
BreneBrown.com

“A deeply personal meditation on the cost of unspoken histories…A profound exploration of the spaces between us and the courage it takes to bridge them.”
—Esther Perel

“Filled with political intrigue and Benjamin’s exploration of his own identity, the memoir’s greatest gift is perhaps the poignancy of scenes built around his mother Danielle Fignolé Benjamin and her many siblings.”
The Haitian Times

“Blending memoir with history, the result is a deeply affecting exploration of family, survival, and the hidden costs of political turmoil.”
Arlington Magazine

“Rare is the memoir that allows us a window into the deeply personal fallout of very public, world-historical moments in history. So it is with Benjamin’s Talk to Me, the story of his family’s unwilling exile from Haiti (his grandfather was briefly president in 1957), and how that unspoken trauma passed from generation to generation.”
Literary Hub

“Gripping…Benjamin that tells the story of his grandfather, Daniel Fignolé, who was the president of Haiti in 1957 until he was pushed out of power as a result of a coup in which his mother and her siblings were kidnapped.”
The Root

“Incredibly moving…[A] beautiful, heartfelt work.”
Book and Film Globe

"Talk to Me is a revelation. As unflinching as it is tender, it is the story of a nation and an intimate portrayal of a family. Rich Benjamin meticulously probes into Haiti's vast history while sensitively revealing with the painful secrets that his mother and her sisters carried to America. This is a son's homage to a complex, brilliant woman and a letter of longing to a Haiti that might have been, and could still become."
—Maaza Mengiste, author of The Shadow King, finalist for the Booker Prize

“Talk to Me is a tour-de-force! I was gripped by every page of this meticulously researched and emotionally rich mother-son memoir, which explores how one family is unmade and remade—again and again—by forces both external and internal. Rich Benjamin is a supremely talented writer, able to convey complex subject matters—the political landscape of Haiti, the parental abandonment that shaped him, and his reckoning with sickle cell anemia, being gay, and numerous family secrets—in elegant and moving prose. You will not be able to put it down!”
—Adrienne Brodeur, author of Little Monsters

“Rich Benjamin contains multitudes. The grandson of a president of Haiti, son of an Ivy League graduate, gifted with a brilliant mother. Now he's written an eloquent, Argos-eyed love letter.”
Edmund White, author of The Humble Lover

Talk to Me is a brilliant exploration of the complexities of the parent-child relationship in Ayiti. Rich Benjamin masterfully defies his family's silence, uncovering truths long buried. A deeply moving, disciplined journey that refuses to accept what’s left unsaid.”
SEJOE, writer and producer of Nou Chaje Ak Pwoblèm

“An evocative, wise memoir of a multilayered search for roots.”
Kirkus, starred review

“This brutal, spellbinding tale is at once a searing domestic drama and an illuminating glimpse at Haiti’s history. Readers will be rapt.”
Publishers Weekly, starred review

“Benjamin is a vivid writer whose honesty spares no one…In Talk to Me, violence, whether in war, politics, crime or families, has a long afterlife that is dangerous to overlook.”
BookPage, starred review

“[Benjamin’s] training as a cultural anthropologist shines through in his extensive research, and he renders history in lush, expressive detail… The three main characters—grandfather, mother, and Benjamin himself—all try to reconcile their desire for a better world with a desire for their family’s safety. This struggle manifests differently for each of them, and the resulting tension binds the work together. Ultimately, Benjamin's book succeeds as both a political history of twentieth-century Haiti and a compelling family saga.”
Booklist

Author

© Stephen K. Mack
RICH BENJAMIN is a cultural anthropologist and the author of Searching for Whitopia. His writing has appeared in the New Yorker, the New York Times, and elsewhere, and he’s appeared as a commentator on MSNBC and CNN. His work has received support from the Bellagio Center, Civitella Ranieri Foundation, Columbia Law School, the Cullman Center for Scholars and Writers, the Ford Foundation, Princeton University, the Rockefeller Foundation, the Russell Sage Foundation, and the Harvard-Radcliffe Institute. View titles by Rich Benjamin

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