For Héctor and Lilia, pursuit of the American Dream became every parent's worst fear when their infant daughter vanished as they crossed from Mexico to the United States—now they must try to get her back. With great empathy and a keen awareness of current events, Michel Stone delivers a novel of surpassing sensitivity and heart.

Young lovers Héctor and Lilia dreamed of a brighter future for their family in the United States. Héctor left Mexico first, to secure work and housing, but when Lilia, desperate to be with Héctor, impetuously crossed the border with their infant daughter, Alejandra, mother and child were separated. Alejandra disappeared. Now, four years later, the family has a chance to reunite, but the trauma of the past may well be permanent.
     Back in their sleepy hometown of Oaxaca, the couple enjoys a semblance of normal life, with a toddler son and another baby on the way. Then they receive an unexpected tip that might lead them to Alejandra, and both agree they must seize this chance, whatever the cost. Working increasingly illegal jobs to earn money for his journey north, Héctor seeks more information about his long-absent daughter. Meanwhile, a bedridden Lilia awaits the birth of their third child, but cannot keep herself from reliving the worst mistakes of her past. In luminous, compassionate prose, Michel Stone drops readers into the whirlwind of the contemporary immigrant experience, where a marriage is strained to the breaking point by the consequences of wanting more for the next generation.

Chapter 1

 

 

Lilia

 

 

Lilia wished the direction of the evening breeze would shift as she diced the small octopus, dropping the chunks into the briny broth already steaming on the fire. But the wind kept its course, and the funk of her village’s incinerated waste continued to waft across the courtyard. She plucked a sprig of mint from the cracked clay pot beside the kitchen door and stripped its leaves from the stem then popped them into her mouth. She chewed the herb into a slick pulp, hoping it would lessen her nausea.

 

Fernando sat in the dirt nearby, rolling a small truck between his bare feet. When he shrieked with laughter Lilia looked up from her work at the fire.

 

“What do you see, my boy?”

 

The child pointed at a white hen and her butter-yellow chicks pecking at the dust just beyond Fernando’s new rubber ball, abandoned for now beneath the shade tree.

 

Lilia had not experienced any morning sickness with Fernando. Her pregnancy had gone so smoothly she’d worried something was wrong with the baby until she saw him, counted his fingers and toes, and heard him wail. His head had been bare, unlike the thickly matted scalp of Alejandra at her birth. Lilia’s pregnancy with Fernando had been so different from her first that she should have suspected the child to be a boy, but no. That simple conclusion had escaped her, and instead she’d assumed the child inside her womb to be deformed, and she had not fully felt excitement or love until she’d held him and he’d suckled at her breast. Only then did her tears and prayers of gratitude emerge from somewhere unexpected and deep within her.

 

But this third pregnancy felt similar to her first, with daily morning vomiting, and the constant taste of bile lingering in her throat. Perhaps this baby, like Lilia’s first, would be a girl child. Little Alejandra would be almost four now. Is almost four now. She is almost four, Lilia told herself. Is, not would be.

 

Lilia prayed daily for Alejandra’s well-being and happiness. And on the days she felt her hope waning, at those dark times, she prayed to God to punish her for allowing her faith and optimism to slip. These occasional, doubtful thoughts she did not share with Héctor; she’d learned long ago she must shoulder enough strength for the both of them. Lilia ached to believe that Héctor trusted her again as fully as he ever had, that he understood the depth to which her being had been shaken with the loss of their daughter and the horrible, undeniable guilt that permeated Lilia to her marrow for her part in that loss. She longed to tell him that oftentimes as she passed the village cemetery at the top of the hill she felt it watching her closely, as if she should be there with the dead instead of walking among the living.

 

For months after Lilia’s border crossing and the disappearance of Alejandra, Héctor sneered at the sight of his wife. He tried to hide his contempt by turning away, busying himself in some pointless activity, but she felt his scorn as sure as a slap to her cheek. Even if his countenance had not betrayed his deep disappointment in Lilia, his inability to touch her all but screamed what Lilia interpreted as disgust, perhaps even loathing. They had been the most loving, most affectionate couple in all of Mexico until that unforgettable, life-altering day at the border, when she’d arrived unexpectedly and without their child. Ah, but enough of these thoughts.

 

She spit the wad of mint into a gnarled hibiscus, its spent orange blossoms littering the ground around it.

 

Her grandmother had planted the shrub in honor of Lilia’s birth, and even now, years after the old woman’s passing, when Lilia looked at its large, trumpetlike flowers she thought of her grandmother Crucita, and how, at Christmastime, she would dry the blossoms to make delicious sugared candies for Lilia to suck.

 

“Papa!” Fernando said, waving to Héctor. “Papa home!”

 

Héctor, haggard and sun-darkened, brushed the boy’s head with his grimy fingertips but did not scoop him up into a big hug as was his usual greeting for Fernando. He tossed a sack on the lone table in the courtyard. “Squash and onions,” he said.

 

“José brought us an octopus this afternoon. I’m making a stew,” Lilia said. “I’ll roast the squash, too, if you’d like.”

 

Héctor sat in one of the two chairs beside the weathered old table and unlaced his work boots. The breeze rattled the wind chime that hung inside the kitchen window, though Lilia didn’t notice the sound until Héctor said, “Can we get rid of that thing?” He jutted his chin toward the jangling.

 

“You don’t like it?” she said, sensing something other than the gentle clanking of the shells as the source of his irritation.

 

During their courtship and early marriage, prior to their time in el norte, Héctor wore his emotions like a banner; he’d been so easy to read. His imaginings and zest for life had drawn her to him when they were in school. Even when she’d been but fifteen years old and Héctor sixteen, they’d sit under the stars beside the bay speaking of their future, of the children they’d have, and of the life they imagined together. Lilia would have been content to live out her days in Puerto Isadore, but Héctor had held bigger aspirations and an imagination like no one else she’d ever met. He’d been silly and jovial as a schoolboy then, laughing and joking and dreaming what others might call impossible dreams. Lilia had believed in him and in his vision for their future.

 

“We’ll go to el norte one day, Lilia,” he’d said. “I’ll go first and find work, and I’ll save enough money to bring you to me.”

 

She knew such days of innocence and pure delight would never return, yet she refused to give up on the notion of their happiness.

 

He lifted the other boot and began untying its laces. Without looking at her he said, “No, Lilia. I don’t like the wind chime. I’ve never liked it.”

 

She wiped her hands across her faded yellow apron before detaching the chime’s string from the rusted hook above the open window.

 

She set the wind chime on the table beside the bag of squash and onions, then hoisted Fernando to her hip.

 

“That boy’s too big to be a hip child,” Héctor said, bringing a hand to his temple.

 

“What’s wrong, Héctor?” She squeezed Fernando when he gripped her shoulder, eager to remain in his mother’s arms.

 

Héctor slapped both hands on his thighs and sat up straight, inhaling a long, slow breath.

 

“Guess who I saw today, Lilia,” he said, staring at her, his eyes dark, troubled.

 

She eased Fernando to the ground, afraid her legs would fail her under the added weight and the news coming toward her. A strange flickering played in her chest, and the ever-present bile thickened in her throat.

 

“Tell me.”

 

“Emanuel,” he said.

 

She slipped into the chair across from Héctor, her palms flat on the table between them. “Are you certain you saw him? Did you speak to him?”

 

Héctor brought his hands behind his head, interlocking his fingers and tilting his face toward the clouds mounding in the western sky. “I know who I saw,” he said.

 

“Did you talk? What did he say, Héctor? Where did you see him? Oh, my God. Tell me everything.”

 

“I don’t have much to tell. No, we didn’t speak. I saw him, but he didn’t see me.”

 

“Are you sure the person you saw was Emanuel? Where was he?”

 

“He was boarding the bus to Escondido. I know it was Emanuel. I’ve looked for that pendejo every day for years, Lilia. The man I saw was Emanuel.”

 

“This is good news, Héctor. We’ll find him!” She reached for him and took his hands in hers and brought them to her lips, tears brimming her eyes.

 

Héctor exhaled, and for the first time since his arrival from work, he seemed to relax, to soften, though the worry lines, long etched into his brow and temples, remained, a constant reminder to the world, to Lilia, of his grief.

 

“All the emotions, you know?” he said. “Just when I begin to put him and our past behind us . . .” He shook his head. “I hate him, but we need him.”

 

Héctor stood and scooped Fernando into his arms. “Your stew smells good, Lilia.”

 

She returned to the pot and stirred its contents with a long wooden spoon, her thoughts far away from the fire or this courtyard. She closed her eyes and inhaled sharply, her mind not on the briny scent of her cooking but lost in the memory of the lavender-scented head of her firstborn child.

"Michel Stone has written a deeply moving tale that delivers a hefty emotional punch. Border Child is a compassionate, beautiful novel."
—Ron Rash, author of Serena

"A gripping and politically savvy look at the human impact of current immigration policy and an honest examination of the perils facing desperate immigrants as they travel north."
Kirkus Reviews, starred review

"Reminiscent of Steinbeck . . . Stone shows us the inner lives of characters who are the victims of an unjust world, spun and redirected by fates beyond their control . . . I defy anyone reading Border Child to feel anything but compassion for these people who crossed the border only because they wanted a better life for their family."
San Francisco Chronicle

"Stone is a great storyteller . . . There is never a dull moment in this lyrical, engrossing novel . . . Particularly important reading in our current political climate."
Library Journal

"A poignant, action-packed read . . . Stone deftly draws readers into the heart of her characters’ hopes and despairs, shining a humanizing light on the divisive subject of immigration."
Charleston Magazine

"Border Child is a big-hearted novel, probing the reasons so many . . . have sought safety and success in the United States. It’s full of suspense and concern for desperate people who believe that their lives will be better." 
Counter Punch

"Border Child is an important and timely must-read! Michel Stone writes with confident authority about the heart wrenching experiences of a young Mexican couple desperately seeking their child, lost at the border. As the reader journeys with them, a deeper, meaningful appreciation of their culture, decisions, and humanity takes root in our heart. Border Child is a cross-cultural tour de force."
—Mary Alice Monroe, author of A Lowcountry Wedding
 
"Border Child does not disappoint. Michel Stone captures the rich textured voices of her characters on both sides of the border due to her boundless understanding of that most universal emotion—love. Unafraid to ask the hard questions, Border Child, explores complex family dynamics with great imagination, insight, and empathy."
—Tayari Jones, author of Silver Sparrow
 
"Michel Stone writes of the human condition in a way that brings to mind John Steinbeck. Her latest novel, Border Child, is powerful and poignant as much as it is daring and timely. Stone’s gift of capturing Hispanic culture and the dreams and disappointments of the people shine in Border Child."
—Michael Morris, author of Man in the Blue Moon
 
"At a time when Mexican immigrants are being demonized or turned into nothing more than statistics, Michel Stone offers us a heartbreaking and profound story about the realities of the immigrant experience and the price that a family pays for a shot at the American Dream. Raw, painful, and illuminating, Stone delves deep into the humanity of her characters to reveal the true human cost of immigration."
—Reyna Grande, author of The Distance Between Us
© Paige Phillips
MICHEL STONE is the author of The Iguana Tree, and has published more than a dozen stories and essays in various journals and magazines. Her work has appeared numerous times in the Raleigh News & Observer's Emerging Southern Writers series. Stone is a 2011 recipient of the South Carolina Fiction Project Award. She lives in Spartanburg, South Carolina. View titles by Michel Stone

About

For Héctor and Lilia, pursuit of the American Dream became every parent's worst fear when their infant daughter vanished as they crossed from Mexico to the United States—now they must try to get her back. With great empathy and a keen awareness of current events, Michel Stone delivers a novel of surpassing sensitivity and heart.

Young lovers Héctor and Lilia dreamed of a brighter future for their family in the United States. Héctor left Mexico first, to secure work and housing, but when Lilia, desperate to be with Héctor, impetuously crossed the border with their infant daughter, Alejandra, mother and child were separated. Alejandra disappeared. Now, four years later, the family has a chance to reunite, but the trauma of the past may well be permanent.
     Back in their sleepy hometown of Oaxaca, the couple enjoys a semblance of normal life, with a toddler son and another baby on the way. Then they receive an unexpected tip that might lead them to Alejandra, and both agree they must seize this chance, whatever the cost. Working increasingly illegal jobs to earn money for his journey north, Héctor seeks more information about his long-absent daughter. Meanwhile, a bedridden Lilia awaits the birth of their third child, but cannot keep herself from reliving the worst mistakes of her past. In luminous, compassionate prose, Michel Stone drops readers into the whirlwind of the contemporary immigrant experience, where a marriage is strained to the breaking point by the consequences of wanting more for the next generation.

Excerpt

Chapter 1

 

 

Lilia

 

 

Lilia wished the direction of the evening breeze would shift as she diced the small octopus, dropping the chunks into the briny broth already steaming on the fire. But the wind kept its course, and the funk of her village’s incinerated waste continued to waft across the courtyard. She plucked a sprig of mint from the cracked clay pot beside the kitchen door and stripped its leaves from the stem then popped them into her mouth. She chewed the herb into a slick pulp, hoping it would lessen her nausea.

 

Fernando sat in the dirt nearby, rolling a small truck between his bare feet. When he shrieked with laughter Lilia looked up from her work at the fire.

 

“What do you see, my boy?”

 

The child pointed at a white hen and her butter-yellow chicks pecking at the dust just beyond Fernando’s new rubber ball, abandoned for now beneath the shade tree.

 

Lilia had not experienced any morning sickness with Fernando. Her pregnancy had gone so smoothly she’d worried something was wrong with the baby until she saw him, counted his fingers and toes, and heard him wail. His head had been bare, unlike the thickly matted scalp of Alejandra at her birth. Lilia’s pregnancy with Fernando had been so different from her first that she should have suspected the child to be a boy, but no. That simple conclusion had escaped her, and instead she’d assumed the child inside her womb to be deformed, and she had not fully felt excitement or love until she’d held him and he’d suckled at her breast. Only then did her tears and prayers of gratitude emerge from somewhere unexpected and deep within her.

 

But this third pregnancy felt similar to her first, with daily morning vomiting, and the constant taste of bile lingering in her throat. Perhaps this baby, like Lilia’s first, would be a girl child. Little Alejandra would be almost four now. Is almost four now. She is almost four, Lilia told herself. Is, not would be.

 

Lilia prayed daily for Alejandra’s well-being and happiness. And on the days she felt her hope waning, at those dark times, she prayed to God to punish her for allowing her faith and optimism to slip. These occasional, doubtful thoughts she did not share with Héctor; she’d learned long ago she must shoulder enough strength for the both of them. Lilia ached to believe that Héctor trusted her again as fully as he ever had, that he understood the depth to which her being had been shaken with the loss of their daughter and the horrible, undeniable guilt that permeated Lilia to her marrow for her part in that loss. She longed to tell him that oftentimes as she passed the village cemetery at the top of the hill she felt it watching her closely, as if she should be there with the dead instead of walking among the living.

 

For months after Lilia’s border crossing and the disappearance of Alejandra, Héctor sneered at the sight of his wife. He tried to hide his contempt by turning away, busying himself in some pointless activity, but she felt his scorn as sure as a slap to her cheek. Even if his countenance had not betrayed his deep disappointment in Lilia, his inability to touch her all but screamed what Lilia interpreted as disgust, perhaps even loathing. They had been the most loving, most affectionate couple in all of Mexico until that unforgettable, life-altering day at the border, when she’d arrived unexpectedly and without their child. Ah, but enough of these thoughts.

 

She spit the wad of mint into a gnarled hibiscus, its spent orange blossoms littering the ground around it.

 

Her grandmother had planted the shrub in honor of Lilia’s birth, and even now, years after the old woman’s passing, when Lilia looked at its large, trumpetlike flowers she thought of her grandmother Crucita, and how, at Christmastime, she would dry the blossoms to make delicious sugared candies for Lilia to suck.

 

“Papa!” Fernando said, waving to Héctor. “Papa home!”

 

Héctor, haggard and sun-darkened, brushed the boy’s head with his grimy fingertips but did not scoop him up into a big hug as was his usual greeting for Fernando. He tossed a sack on the lone table in the courtyard. “Squash and onions,” he said.

 

“José brought us an octopus this afternoon. I’m making a stew,” Lilia said. “I’ll roast the squash, too, if you’d like.”

 

Héctor sat in one of the two chairs beside the weathered old table and unlaced his work boots. The breeze rattled the wind chime that hung inside the kitchen window, though Lilia didn’t notice the sound until Héctor said, “Can we get rid of that thing?” He jutted his chin toward the jangling.

 

“You don’t like it?” she said, sensing something other than the gentle clanking of the shells as the source of his irritation.

 

During their courtship and early marriage, prior to their time in el norte, Héctor wore his emotions like a banner; he’d been so easy to read. His imaginings and zest for life had drawn her to him when they were in school. Even when she’d been but fifteen years old and Héctor sixteen, they’d sit under the stars beside the bay speaking of their future, of the children they’d have, and of the life they imagined together. Lilia would have been content to live out her days in Puerto Isadore, but Héctor had held bigger aspirations and an imagination like no one else she’d ever met. He’d been silly and jovial as a schoolboy then, laughing and joking and dreaming what others might call impossible dreams. Lilia had believed in him and in his vision for their future.

 

“We’ll go to el norte one day, Lilia,” he’d said. “I’ll go first and find work, and I’ll save enough money to bring you to me.”

 

She knew such days of innocence and pure delight would never return, yet she refused to give up on the notion of their happiness.

 

He lifted the other boot and began untying its laces. Without looking at her he said, “No, Lilia. I don’t like the wind chime. I’ve never liked it.”

 

She wiped her hands across her faded yellow apron before detaching the chime’s string from the rusted hook above the open window.

 

She set the wind chime on the table beside the bag of squash and onions, then hoisted Fernando to her hip.

 

“That boy’s too big to be a hip child,” Héctor said, bringing a hand to his temple.

 

“What’s wrong, Héctor?” She squeezed Fernando when he gripped her shoulder, eager to remain in his mother’s arms.

 

Héctor slapped both hands on his thighs and sat up straight, inhaling a long, slow breath.

 

“Guess who I saw today, Lilia,” he said, staring at her, his eyes dark, troubled.

 

She eased Fernando to the ground, afraid her legs would fail her under the added weight and the news coming toward her. A strange flickering played in her chest, and the ever-present bile thickened in her throat.

 

“Tell me.”

 

“Emanuel,” he said.

 

She slipped into the chair across from Héctor, her palms flat on the table between them. “Are you certain you saw him? Did you speak to him?”

 

Héctor brought his hands behind his head, interlocking his fingers and tilting his face toward the clouds mounding in the western sky. “I know who I saw,” he said.

 

“Did you talk? What did he say, Héctor? Where did you see him? Oh, my God. Tell me everything.”

 

“I don’t have much to tell. No, we didn’t speak. I saw him, but he didn’t see me.”

 

“Are you sure the person you saw was Emanuel? Where was he?”

 

“He was boarding the bus to Escondido. I know it was Emanuel. I’ve looked for that pendejo every day for years, Lilia. The man I saw was Emanuel.”

 

“This is good news, Héctor. We’ll find him!” She reached for him and took his hands in hers and brought them to her lips, tears brimming her eyes.

 

Héctor exhaled, and for the first time since his arrival from work, he seemed to relax, to soften, though the worry lines, long etched into his brow and temples, remained, a constant reminder to the world, to Lilia, of his grief.

 

“All the emotions, you know?” he said. “Just when I begin to put him and our past behind us . . .” He shook his head. “I hate him, but we need him.”

 

Héctor stood and scooped Fernando into his arms. “Your stew smells good, Lilia.”

 

She returned to the pot and stirred its contents with a long wooden spoon, her thoughts far away from the fire or this courtyard. She closed her eyes and inhaled sharply, her mind not on the briny scent of her cooking but lost in the memory of the lavender-scented head of her firstborn child.

Praise

"Michel Stone has written a deeply moving tale that delivers a hefty emotional punch. Border Child is a compassionate, beautiful novel."
—Ron Rash, author of Serena

"A gripping and politically savvy look at the human impact of current immigration policy and an honest examination of the perils facing desperate immigrants as they travel north."
Kirkus Reviews, starred review

"Reminiscent of Steinbeck . . . Stone shows us the inner lives of characters who are the victims of an unjust world, spun and redirected by fates beyond their control . . . I defy anyone reading Border Child to feel anything but compassion for these people who crossed the border only because they wanted a better life for their family."
San Francisco Chronicle

"Stone is a great storyteller . . . There is never a dull moment in this lyrical, engrossing novel . . . Particularly important reading in our current political climate."
Library Journal

"A poignant, action-packed read . . . Stone deftly draws readers into the heart of her characters’ hopes and despairs, shining a humanizing light on the divisive subject of immigration."
Charleston Magazine

"Border Child is a big-hearted novel, probing the reasons so many . . . have sought safety and success in the United States. It’s full of suspense and concern for desperate people who believe that their lives will be better." 
Counter Punch

"Border Child is an important and timely must-read! Michel Stone writes with confident authority about the heart wrenching experiences of a young Mexican couple desperately seeking their child, lost at the border. As the reader journeys with them, a deeper, meaningful appreciation of their culture, decisions, and humanity takes root in our heart. Border Child is a cross-cultural tour de force."
—Mary Alice Monroe, author of A Lowcountry Wedding
 
"Border Child does not disappoint. Michel Stone captures the rich textured voices of her characters on both sides of the border due to her boundless understanding of that most universal emotion—love. Unafraid to ask the hard questions, Border Child, explores complex family dynamics with great imagination, insight, and empathy."
—Tayari Jones, author of Silver Sparrow
 
"Michel Stone writes of the human condition in a way that brings to mind John Steinbeck. Her latest novel, Border Child, is powerful and poignant as much as it is daring and timely. Stone’s gift of capturing Hispanic culture and the dreams and disappointments of the people shine in Border Child."
—Michael Morris, author of Man in the Blue Moon
 
"At a time when Mexican immigrants are being demonized or turned into nothing more than statistics, Michel Stone offers us a heartbreaking and profound story about the realities of the immigrant experience and the price that a family pays for a shot at the American Dream. Raw, painful, and illuminating, Stone delves deep into the humanity of her characters to reveal the true human cost of immigration."
—Reyna Grande, author of The Distance Between Us

Author

© Paige Phillips
MICHEL STONE is the author of The Iguana Tree, and has published more than a dozen stories and essays in various journals and magazines. Her work has appeared numerous times in the Raleigh News & Observer's Emerging Southern Writers series. Stone is a 2011 recipient of the South Carolina Fiction Project Award. She lives in Spartanburg, South Carolina. View titles by Michel Stone

Register for the 2025 Penguin Random House First-Year Experience® Conference Author Events!

Penguin Random House Author Events at the 44th Annual First-Year Experience® Conference February 16-19, 2025 New Orleans, Louisiana Hyatt Regency New Orleans Click Here to RSVP A complimentary meal and a limited number of books will be available to attendees. Each event will also be followed by an author signing. Interested in hosting one of these

Read more

What Students Will Be Reading: Campus Common Reading Roundup, 2024-25

With the fall semester in full swing, colleges and universities around the country have announced their Common Reading books for the upcoming 2024-25 academic year. We’ve compiled a list of over 337 programs and their title selections, which you can download here: First-Year Reading 2024-25. We will continue to update this listing to provide the

Read more

2025 Catalog for First-Year & Common Reading

We are delighted to present our new First-Year & Common Reading Catalog for 2025! From award-winning fiction, poetry, memoir, and biography to new books about science, technology, history, student success, the environment, public health, and current events, the titles presented in our common reading catalog will have students not only eagerly flipping through the pages,

Read more